The John Batchelor Show

JULIE MANET, THE VALUE OF TRANSIENCE, AND THE AVANT-GARDE Colleague Sebastian Smee. Berthe Morisot's legacy was carried on by her daughter, Julie Manet, to whom Berthe wrote a tender deathbed letter expressing that Julie had provided her solely with happiness. Morisot's work exemplifies the concept of "transience value"—the idea, later articulated by Freud, that the fleeting nature of beauty makes it more precious. Her paintings of adolescents and domestic scenes celebrated the present moment precisely because it was always changing. While the next generation of the avant-garde, such as Van Gogh and Munch, reacted against Impressionism's lack of structure, they built directly upon its liberation of color. Although these newer artists sought more permanence, the Impressionist dedication to capturing fugitive effects proved to have lasting power, validating Morisot's vision of finding profound truth in the ephemeral. NUMBER 8 1925

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MANET'S FINAL YEARS AND THE POSTHUMOUS HONOR OF MORISOT Colleague Sebastian Smee. Following the war, Manet painted a series of intimate portraits of Berthe Morisot, capturing her erotic restlessness and "black" mourning attire. Since they could not marry, Manet seemingly facilitated her marriage to his brother, Eugène, who became a supportive husband and advocate for her art. While Morisot struggled with melancholy, she defied Édouard's advice to stick to the Salon, instead exhibiting in almost all the independent Impressionist shows. After Édouard died a painful death from syphilis, and Berthe later passed away, her colleagues Renoir, Monet, and Degasorganized a posthumous exhibition in her honor. The depth of their respect was revealed in a passionate argument between Degas and the others over how best to hang her work to ensure the public understood her brilliance. NUMBER 7

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PLEIN AIR PAINTING AND THE IMPRESSIONIST FOCUS ON THE PRESENT Colleague Sebastian Smee. The Impressionists revolutionized art by painting en plein air (outdoors), prioritizing the sincerity of what they saw in front of them over the carefully composed conventions of the studio. They sought to capture fleeting effects of light and color with directness. Berthe Morisot applied this "sincerity" to domestic and threshold spaces, using loose brushwork to convey the fragility and transience of life—a sensibility likely heightened by the recent political trauma. Interestingly, the Impressionists largely avoided painting the physical ruins of Paris, unlike conservative artists who used such imagery for political rhetoric. Instead, they engaged in a form of psychological repression or optimistic looking-forward, choosing to depict the beauty of contemporary life and the resilience of the present moment rather than dwelling on the destruction of the past. NUMBER 6 1914

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THE DEVASTATION OF BLOODY WEEK AND MORISOT'S RESOLVE Colleague Sebastian Smee. In May 1871, French government forces retook Paris during "Bloody Week," a period of atrocity where summary executions were rampant and the streets "ran red with blood." In response, Communards burned major landmarks, including the Tuileries Palace and the Hôtel de Ville. Manet, though absent during the final violence, created a lithograph depicting the execution of Communards as an indictment of the government's brutality. Berthe Morisot witnessed the destruction firsthand; rather than deterring her, the trauma of the "Terrible Year" strengthened her resolve to become a professional artist, a radical decision for a woman of her class. While many were executed or exiled to New Caledonia, Morisotchanneled the instability of the era into her work, emerging from Manet's shadow to become a distinct and innovative painter in her own right. NUMBER 5 1893

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THE RISE OF THE PARIS COMMUNE FOLLOWING THE SIEGE Colleague Sebastian Smee. By March 1871, following a winter of starvation where Parisians ate rats and zoo animals, the city's radical Republicans revolted against the provisional government. The radicals, frustrated by the government's failure to break the Prussian siege and the subsequent humiliating surrender terms, seized cannons and established the Commune. This new government aimed for localized, democratic control but was viewed by the national government, now retreated to Versailles under Adolphe Thiers, as an insurrection. The Commune was libertarian and progressive but faced immediate isolation. Having survived the Prussian siege, the Communards now found themselves besieged by French government forces, setting the stage for a brutal civil conflict where the "brother fought brother" narrative of the 19th century would reach a violent climax. NUMBER 4 1890

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POLITICS, WAR, AND THE REPUBLICAN SPIRIT OF THE IMPRESSIONISTS Colleague Sebastian Smee. Édouard Manet was a passionate Republican who loathed the authoritarian rule of Napoleon III, a sentiment rooted in his witnessing the 1848 uprising and his travels to Rio where he saw the horrors of slavery. His political activism influenced the Impressionist circle, who were all Republicans. Manet frequented cafés to discuss politics with figures like Léon Gambetta, a moderate Republican leader navigating the tensions between monarchists and radicals. The group's optimism was tested by the Franco-Prussian War of 1870; following the Emperor's defeat at Sedan, a Republic was declared, but Paris was soon besieged by Prussian troops. The war touched the artists directly: the painter Bazille died in combat, and Alfred Sisley painted landscapes on the banks of the Seine that had recently been bloody battlefields, creating art that contemporaries recognized as scenes of trauma. NUMBER 3

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THE ARTISTIC AND ROMANTIC BOND BETWEEN BERTHE MORISOT AND ÉDOUARD MANETColleague Sebastian Smee. Berthe Morisot and her sister Edma were talented painters from a haute bourgeois family who successfully exhibited at the Salon, though society expected them to eventually prioritize marriage over art. In 1869, the unmarried Berthe met Édouard Manet at the Louvre, leading to a complex relationship that resembled a Jane Austen novel. Manet, struck by Berthe's dark, Spanish features, asked her to pose for his painting The Balcony. Although Manet was married to Suzanne—a Dutch pianist he had wed under complicated circumstances involving a hidden son—he and Berthe engaged in a mutual flirtation. Their families became close, attending weekly soirées together, but Manet's marriage remained an impediment to any romantic union with Berthe. Despite the social restrictions requiring chaperones, Manet's influence drove Berthe's artistic development, just as her presence influenced his work. NUMBER 2 1872

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THE 1874 EXHIBITION AND THE BIRTH OF IMPRESSIONISM Colleague Sebastian Smee. In the spring of 1874, a group of painters including Degas, Monet, Pissarro, and Renoir gathered at the studio of the photographer Nadar to exhibit their work outside the established "Salon" system. This group, organizing themselves as the "Société Anonyme," had grown tired of the Salon's hierarchical preference for large-scale history and religious paintings over landscapes and contemporary life. The movement received its name from a critic who wrote a parody of the exhibition, seizing upon the title of Claude Monet's painting, Impression, Sunrise, to mock the work as unfinished sketches lacking structure or deep meaning. While photography existed, these painters sought to tell the story of their times through a revolutionary style that defied convention. Notably absent from this founding exhibition was Édouard Manet, the group's "blood brother" and inspiration, who still believed success required acceptance within the official Salon. NUMBER 1 1849 MONET

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.SURVIVAL STORY: WOMAN OUTLASTS SNAKE TRAPPED IN HER SHOE Colleague Jeremy Zakis. In Southwest Sydney, a woman survived a bite from a deadly eastern brown snake that became entangled in the loop of her trainer shoe. Displaying remarkable calm, she remained still to slow the venom's spread while waiting for emergency services. A snake catcher carefully removed the heat-stressed reptile before the woman was treated at a hospital. Zakisnotes that her quick thinking and composure likely saved her life.

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ENGLAND SECURES SURPRISE VICTORY AMIDST ASHES CONTROVERSY Colleague Jeremy Zakis. Zakisreports that England unexpectedly won the fourth Ashes test despite playing poorly earlier in the series. The match ended quickly, causing controversy regarding the Melbourne pitch and accusations of poor play on both sides. Commentators blame England's aggressive "Bazball" style and lack of technical skill for previous losses. Conversely, Australianbowlers are praised for successfully mixing brute force with technical precision to dismantle English batting throughout the contest. 1862 ASHES AT MELBOURNE

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DALLAS THE DOG TEAMS UP WITH MAGPIES TO FIGHT COCKATOOS Colleague Jeremy Zakis. Zakisrecounts how his dog, Dallas, successfully chased destructive cockatoos off their property. While usually friendly, Dallasidentified the birds as enemies, aided by territorial magpies that swooped in to drive the cockatoos away. Although cockatoos are often considered pests that raid trash bins and damage homes in New South Wales, Dallas's vigilance has protected Zakis's yard, forcing the birds to target the neighbor's roof instead.

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SUN, SAND, AND SANTAS IN BOARD SHORTS: AN AUSTRALIAN CHRISTMAS Colleague Jeremy Zakis. Jeremy Zakis describes Christmas in Australia as the polar opposite of the Northern Hemisphere, featuring clear skies and temperatures in the mid-80s ideal for outdoor barbecues. While Queensland faced heavy rain and floods, most of the country enjoyed hot weather perfect for beach visits. Zakis details traditions like the Boxing Day cricket test and notes that while mall Santas wear wool, outdoor Santas often don board shorts and flip-flops. 1933 SYDNEY

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THE ATOMIC BOMB AND POST-WAR LEADERSHIP Colleague Craig Symonds. Nimitz and King believed a naval blockade could force Japan's surrender without a costly invasion, which they feared would result in millions of deaths. Nimitz was informed early about the atomic bomb to ensure it wouldn't interfere with operations. After the war, despite resistance from the aviation community and Secretary Forrestal, Nimitz served a two-year term as Chief of Naval Operations. Spruance, denied a fifth star in favor of Halsey, took the high road by leading the Naval War College, ensuring future officers learned from the Pacific war's lessons. NUMBER 8 1945 OKINAWA TEN YEAR OLD SURRENDERS WITH WHITE FLAG

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TYPHOONS, KAMIKAZES, AND UNFORGIVING WARFARE Colleague Craig Symonds. Halsey's aggression led to disaster when he twice steered the fleet into typhoons, causing significant loss of life and ships. Despite inquiries recommending Halsey's removal, Nimitz retained him to maintain public morale. The war grew grimmer with the invasion of Iwo Jima, where Marines felt unsupported by naval gunfire, and the emergence of Kamikaze suicide attacks off Okinawa. Nimitz, now based in Guam, observed the terrifying effectiveness of the Kamikazes, which he noted was the only wartime development the Naval War College had failed to anticipate. NUMBER 7 1945 OKINAWA FLAME THROWER DUGOUT

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THE TURKEY SHOOT AND THE WORLD WONDERS Colleague Craig Symonds. During the Battle of the Philippine Sea, Spruance prioritized protecting the Saipan beachhead, resulting in the "Turkey Shoot" that decimated Japanese air power but allowed enemy ships to escape. Later, at Leyte Gulf, the Japanese lured Halsey's Third Fleetaway with empty carriers, leaving the invasion force vulnerable. Nimitz, breaking his rule against interfering, sent a query asking the location of Task Force 34. Padding in the encrypted text added the phrase "the whole world wonders," which insulted Halsey and caused him to throw a tantrum during a critical hour of the battle. NUMBER 6 1945 OKINAWA

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AMPHIBIOUS LESSONS AND INTERNAL RIVALRIES Colleague Craig Symonds. The Central Pacific drive began with the bloody assault on Tarawa, revealing the difficulties of amphibious warfare against coral reefs and the temper of Marine General Holland "Howlin' Mad" Smith. Nimitz also managed friction with his deputy, John Towers, an aviator who believed only pilots should command carriers. Applying "calculated risk," Nimitz overruled subordinates to strike directly at Kwajalein in the Marshalls, a decision that proved successful. He also gave Marc Mitscher a second chance, allowing him to eventually become a legendary carrier commander despite Spruance'slingering reservations. NUMBER 5 1945 OKINAWA

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HALSEY'S AGGRESSION AND STRATEGIC DEBATES Colleague Craig Symonds. Fearing the loss of Guadalcanal, Nimitz replaced the cautious Ghormley with Bill Halsey, whose aggressive "Kill Japs" attitude boosted morale. While Nimitz valued Halsey's pugnacity for "cavalry charges," he recognized the risks of his temperament. Halsey surprisingly bonded with General Douglas MacArthur, despite the rivalry between the Navy's Central Pacificstrategy and the Army's push to return to the Philippines. This strategic divide required a summit with President Roosevelt in Hawaii to resolve whether to island-hop toward Formosa or support MacArthur's pledge to liberate the Philippines. NUMBER 4 1945 1ST MARINES.OKINAWA

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THE GUADALCANAL SHOESTRING AND COMMAND STRESS Colleague Craig Symonds. To preempt a Japanese airfield, King pushed for an offensive at Guadalcanal despite inadequate resources. Nimitz managed this "shoestring" operation while balancing the needs of his struggling subordinate, Admiral Ghormley, against King'sdemand for action. Amidst the stress, Nimitz found relief in a disciplined routine, power-walking ten miles daily and visiting the Walker family to escape office pressures. Meanwhile, King's animosity toward Admiral Fletcher grew, largely stemming from the loss of Wake Island and a perception that Fletcher was too concerned with fuel logistics. NUMBER 3 1945 OVER NSHS, OKINAWA

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INTELLIGENCE AND CALCULATED RISK Colleague Craig Symonds. Nimitz employed the concept of "calculated risk"—weighing potential benefits against losses—to manage his inferior forces. Although he viewed the Doolittle Raid as a risky stunt, he allowed it to proceed. Relying on intelligence from Layton and Rochefort, Nimitzcommitted his remaining carriers to the Battle of the Coral Sea and Midway. When Admiral Halsey fell ill with a skin condition before Midway, Nimitz selected the quiet Raymond Spruance to command, a decision validated by victory. Following Midway, Nimitz quietly placed aviator Marc Mitscher in "escrow" after a misleading after-action report. NUMBER 2 1945 OKINAWA (CV-94 LUNGA POINT)

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TAKING COMMAND OF A WRECKED FLEET Colleague Craig Symonds. Arriving at Pearl Harbor on Christmas 1941, Chester Nimitz faced the immediate task of bringing stability to a devastated command while the harbor was still burning. Selected by President Roosevelt, who knew him personally, Nimitz was chosen over the skepticism of Admiral Ernest King, who doubted Nimitz's toughness. While King viewed Nimitz as a "fixer" and manager rather than a warrior, Nimitz focused on rebuilding confidence. He privately expressed uncertainty to his wife but projected calm assurance to his subordinates, navigating early naval rivalries between aviators ("brown shoes") and ship drivers ("black shoes"). NUMBER 1 1945 OKINAWA

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 COLD WAR RISE AND POLITICAL FALL Colleague James M. Scott. After the war, LeMay rose to lead the Strategic Air Command (SAC) and became Air Force Chief of Staff. However, his blunt, non-political nature caused friction with figures like Robert McNamara and JFK during the Cold War. He infamously suggested bombing Vietnam"back to the stone age," echoing his approach to Japan. In his 1965 autobiography, he expressed no regret for the firebombing, viewing it as necessary to end the war. His reputation suffered permanently after he ran as vice president on George Wallace's segregationist ticket in 1968. NUMBER 8 1945 OKINAWA 

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AN APOCALYPTIC WASTELAND AND THE PATH TO VICTORY Colleague James M. Scott. LeMay was relieved when reports indicated light opposition, validating his gamble. By dawn, 16 square miles of Tokyo were reduced to ash, and 105,000 people were dead—four times the toll of Dresden. The firebombing campaign continued against other major cities like Nagoya and Kobe, eventually running out of major targets and moving to smaller towns. By the time the atomic bomb was ready in July, LeMay had already destroyed much of Japan's industrial capacity. The atomic bomb was viewed by LeMay as merely a "big bang" that overshadowed his conventional success. NUMBER 7 1945 OKINAWA 

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THE HORROR ON THE GROUND IN TOKYO Colleague James M. Scott. The raid began just after midnight, catching families asleep. The napalm bombs were designed to puncture roofs and spray fire inside homes, turning the wooden city into kindling. The resulting firestorm created a tidal wave of flame that moved across the city, blocked escape routes, and melted the glass of concrete buildings, killing those sheltering inside. Survivors, including a young girl named Shizuko Nishio, fled through an apocalyptic landscape. Photographer Koyo Ishikawa documented the event, describing the fire as a "surf wave" approaching from the ocean. NUMBER 6 1945 OKINAWA

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STRIPPING THE GUNS FOR A SUICIDE MISSION Colleague James M. Scott. For the March 9th raid, LeMayordered bombers stripped of all guns and ammunition to carry more incendiaries and prevent friendly fire in the dark. Crews viewed this low-level entry into a heavily defended city as a suicide mission, with predictions of 70% casualties. LeMay bypassed his superiors, not informing Washington or Brigadier General Norstad until the planes were nearly launching. The target was Asakusa, a dense residential district home to 135,000 people per square mile. The objective was to create a self-sustaining firestorm that would act as its own weather system. NUMBER 5 1945 OKINAWA

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A RADICAL SHIFT TO LOW-ALTITUDE NIGHT BOMBING Colleague James M. Scott. LeMay concluded that high-altitude precision bombing would never work over Japan. He devised a secret, perilous plan to switch to low-altitude night bombing, dropping the B-29s from 30,000 feet to just 5,000 feet. To prepare his crews, he forced them to fly training missions at 50 feet, despite their fears. LeMay knew Tokyo was largely composed of dense wooden structures, describing the city as a "Hollywood backdrop" of westernization masking a fragile infrastructure. He also knew Japan'sfire response relied on antiquated equipment and bucket brigades, leaving the city defenseless against mass fire. NUMBER 4 1945 OKINAWA

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CURTIS LEMAY TAKES COMMAND AND TESTS INCENDIARIES Colleague James M. Scott. After Hanselwas fired for a lack of results, Curtis LeMay, a pragmatic problem-solver from a hardscrabble background, took command in January 1945. LeMay realized the existing tactics were unsolvable equations and began tinkering with variables like altitude and radar. Concurrently, the US developed napalm and the M69 incendiary bomb, testing them on a mock Japanese village built in the Utah desert to ensure they could burn traditional wood-and-paper Japanesearchitecture. LeMay possessed detailed data on Tokyo's flammable density, preparing to exploit the city's architectural vulnerabilities. NUMBER 3 1945 OKINAWA

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JET STREAMS, BAD WEATHER, AND THE FAILURE OF EARLY RAIDS Colleague James M. Scott. Hansel'sprecision strategy failed due to Japan's adverse weather and violent jet streams, which blew at 230 mph and ruined bomber accuracy. The B-29, which cost $3.7 billion to develop, suffered from mechanical glitches like engine fires during the 3,000-mile flights from the Mariana Islands. Early raids against the Nakajima aircraft factory were ineffective, destroying only 1% of the target. While British commanders pressured Americans to switch to firebombing cities, Hansel refused to abandon precision tactics. Meanwhile, FDR's approval of the atomic bomb suggested leadership was open to city-destroying weapons. NUMBER 2 1945 0KINAWA

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THE ARRIVAL OF THE B-29 AND THE PRESSURE ON HAYWOOD HANSEL Colleague James M. Scott. In November 1944, Brigadier General Haywood Hansel arrived in the Pacific with a mission to destroy Japan's ability to wage war using the B-29 bomber. Hansel, a pioneer of air strategy, was a staunch believer in high-altitude daylight precision bombing, a tactic designed to collapse an enemy economy by targeting specific industries like oil refineries. However, the B-29 was an expensive and technically "buggy" aircraft that faced immediate challenges. Hansel operated under immense pressure from Air Force commander Hap Arnold, who was suffering from heart attacks while fighting for the Air Force's independence against the Army and Navy. NUMBER 1 1945 OKINAWA

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POST-WAR REFLECTIONS AND REGRETS Colleague Evan Thomas. In the war's aftermath, Henry Stimsonretired feeling guilty, fearing that scientific progress, exemplified by the bomb, had outpaced human morality. General Spaatz was similarly haunted by his role in killing civilians, with his granddaughter recalling him moaning in his sleep. Conversely, Shigenori Togo, despite being sentenced to 20 years in prison, died with a clear conscience knowing he fought for peace. Thomas concludes by noting that Togo remains largely unhonored in modern Japan, a nation that remains ambivalent about its responsibility for the war. NUMBER 8 1945 OKINAWA

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THE COUP ATTEMPT AND SURRENDER Colleague Evan Thomas. As the US prepared a third atomic bomb to drop on Tokyo, a military coup unfolded in the Japanese palace to prevent the surrender. Young officers attempted to seize the recording of the Emperor's surrender speech, but the coup was suppressed, and War Minister Anami committed suicide by seppuku. When the Emperor's broadcast finally aired, the depth of the Japanese "national psychosis" was revealed; even radiation victims in Hiroshima wept in despair, not because the war was over, but because their nation had surrendered. NUMBER 7 1945 OKINAWA

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THE EMPEROR INTERVENES Colleague Evan Thomas. Following the bombing of Hiroshima, Emperor Hirohitobroke with tradition to support Foreign Minister Togo, urging the deadlocked War Council to "bear the unbearable" and surrender. War Minister Anami, however, continued to romanticize national suicide, suggesting it would be beautiful for the nation to perish like a flower. Negotiations stalled over the status of the Emperor, as the US insisted he remain subject to the Allied commander. Ultimately, the fear of continued atomic destruction and future war crimes trials forced the Japanese leadership to accept the Potsdam Declaration. NUMBER 6 1945 OKINAWA 

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POTSDAM, STALIN, AND THE COLD WAR Colleague Evan Thomas. At the Potsdam Conference, President Truman initially excluded Henry Stimson from meetings, favoring Jimmy Byrnes, who wanted to use the bomb to intimidate the Soviet Union. Truman wrote in his diary that the bomb would hit a purely military target, a claim Thomassuggests was a form of denial regarding the inevitable civilian deaths. Stimson urged Truman to trust the Soviets and share the weapon to prevent an arms race, but the administration ultimately chose to use the bomb as diplomatic leverage, foreshadowing the onset of the Cold War. NUMBER 5 1945 OKINAWA

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GENERAL SPAATZ AND THE ETHICS OF BOMBING Colleague Evan Thomas. The conversation turns to General Carl "Tooey" Spaatz, who commanded the air war in the Pacific and demanded written orders before dropping the atomic bomb. Unlike the pragmatic Curtis LeMay, Spaatz was a proponent of precision bombing and was deeply troubled by the killing of civilians. The segment recounts the execution of the atomic missions, noting that while the Hiroshima drop went smoothly, the Nagasaki mission flown by Charles Sweeney was "snake bit," plagued by fuel issues and cloud cover that nearly caused the mission to fail. NUMBER 4 1945 OKINAWA

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SHIGENORI TOGO AND THE JAPANESE WAR COUNCIL Colleague Evan Thomas. Thomas profiles Shigenori Togo, the Japanese Foreign Minister and the only civilian on the Supreme War Council advocating for surrender. Togonavigated a dangerous political landscape defined by the "stomach game" of indirect communication and the threat of assassination by military extremists. The discussion explores the Japanese military's adherence to the "47 Ronin" code of honor through death and their preparation for a "final battle" involving 28 million civilians. While the military hoped to bleed the Americans to gain better terms, Togo attempted a desperate and ultimately failed diplomatic outreach to the Soviet Union. NUMBER 3 1945 OKINAWA

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TARGETING DECISIONS AND THE ATOMIC BOMB Colleague Evan Thomas. This segment details the "Target Committee" meetings led by General Groves, who initially selected Kyoto as the primary target for the atomic bomb. Henry Stimson intervened, overruling the military to save Kyoto because of its cultural significance, fearing its destruction would brand the US as war criminals. The "Interim Committee" subsequently approved using the bomb on a "war plant surrounded by workers' homes," a vague definition attempting to balance military necessity with mass casualties. Thomas notes that a non-lethal demonstration was dismissed because officials feared a dud or Japaneseinterference would render it ineffective. NUMBER 2 1945 OKINAWA

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THE MORAL BURDEN OF HENRY STIMSON Colleague Evan Thomas. Evan Thomas introduces Henry Stimson, the US Secretary of War, describing him as a 77-year-old "Christian gentleman" and moralist who is simultaneously a realist about the use of power. While Stimson oversaw the devastating firebombing of Tokyo, which killed 100,000 people in a single night, he harbored deep moral qualms about the war's brutality and the atomic bomb, which he viewed as a "Frankenstein monster." The segment also highlights Stimson's failing health and his contrasting relationships with Franklin Roosevelt, a fellow elite, and the newly inaugurated Harry Truman, whom he initially found difficult to engage. NUMBER 1 1945 OKINAWA

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Show 12-26-25 The show begins in doubts of the veneration of Cicero. and the derogation of Aggripina Minor. 1880 SULLA SACKING ROME ROME BEFORE THE EMPERORS: CICERO'S RISE Colleague Josiah Osgood. John Batchelor introduces Josiah Osgood to discuss Marcus Tullius Cicero, a "new man" who rose to political prominence through legal skill in the 1st century BCE. They examine Cicero's debut defense of Roscius, accused of patricide, a crime punished by being sewn into a sack with animals. Cicero proved Roscius was framed by relatives seeking to seize his inheritance, establishing his reputation for storytelling and detective work. NUMBER 1 THE PROSECUTION OF VERRES Colleague Josiah Osgood. Cicero takes on the corruption trial of Gaius Verres, the governor of Sicily who looted art and money from the province. Although Cicero usually defended clients to earn favors, he prosecuted Verres to align with political shifts demanding reform. Verres was backed by the Senateestablishment and Sulla's followers, making Cicero's move a bold attack by an outsider against a "crooked establishment" to cleanse the government. NUMBER 2 CICERO VS. CATILINE: THE CONSPIRACY BEGINS Colleague Josiah Osgood. Cicero captivated the jury against Verres by describing the governor partying while pirates raided Syracuse, causing Verres to flee into exile. Later, Cicero achieved the consulship by defeating Catiline, an aristocrat who became his bitter rival. Desperate after losing the election again, Catiline conspired with a fashionable group of young men to overthrow the government, leading to a showdown with Cicero in the Senate. NUMBER 3 THE EXECUTION MISTAKE Colleague Josiah Osgood. Cicero ordered the execution of five high-ranking Romancitizens allied with Catiline without a trial, believing them to be traitors who forfeited citizenship. This decision, made despite Julius Caesar's suggestion of life imprisonment, became a major political error. Cicero's gloating and refusal to grant due process alienated the public and powerful figures, turning him into a target for the populist movement and threatening his future career. NUMBER 4 THE BONA DEA SCANDAL Colleague Josiah Osgood. A scandal erupts when Publius Clodius infiltrates the women-only Bona Dea ceremony at Caesar's house disguised as a female musician, allegedly to pursue Caesar's wife. Although Cicero initially hesitated, he testified against Clodius, destroying his alibi that he was out of town. This testimony created a dangerous enemy in Clodius, who, despite the sacrilege charge, managed to secure an acquittal through bribery. NUMBER 5 EXILE AND THE TEMPLE OF LIBERTY Colleague Josiah Osgood. Seeking revenge, Clodius transitions to plebeian status to become a tribune and passes a law punishing anyone who executed citizens without trial, specifically targeting Cicero. Forced into exile, Cicero flees Rome while Clodius destroys his mansion on Palatine Hill. Clodiusdedicates the site to the goddess Liberty as a political coup and a humiliation to Cicero, while also harassing Cicero'swife, Terentia, who remained in Rome. NUMBER 6 THE IDES OF MARCH Colleague Josiah Osgood. Cicero returns to a Rome on the brink of civil war, eventually being pardoned by the victor, Caesar. Resenting Caesar's tyranny, Cicero seemingly encouraged Brutus but was not part of the assassination plot. On the Ides of March, Cicero witnessed the murder in the Senate; Brutus shouted Cicero's name while holding the bloody dagger, linking the orator to the restoration of the Republic in the public eye. NUMBER 7 THE DEATH OF CICERO Colleague Josiah Osgood. Following Caesar's death, Cicero returns to politics to oppose Mark Antony, delivering the "Philippics" and allying with young Octavian. This strategy backfires when Octavianreconciles with Antony, leading to a kill order against Cicero for his anti-Caesar rhetoric. Cicero is assassinated, possibly meeting his death with theatrical heroism by extending his neck to the soldiers, a scene likely popularized by his loyal secretary Tiro. NUMBER 8 THE SABINE WOMEN AND AUGUSTAN HISTORY Colleague Emma Southon. Emma Southon discusses A Rome of One's Own, examining history through women's perspectives. They analyze the myth of the Sabine women, abducted by Romulus to populate Rome. This story, recorded by Livy to flatter Augustus, culminates in Hersilia and the women intervening in battle to unite the warring fathers and husbands. It establishes women as the "glue" holding Romanfamilies and society together. NUMBER 9 LUCRETIA: VIRTUE AND SUICIDE Colleague Emma Southon. The discussion moves to Lucretia, the model of Roman female virtue. During a contest among husbands, Lucretia is found virtuously weaving wool while others party. This leads to her rape by Sextus Tarquinius, who threatens her reputation. To protect her honor, Lucretia confesses to her family and commits suicide, an act Augustus later used to define female virtue and which sparked the end of the monarchy. NUMBER 10 TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11 CLODIA: THE PALATINE MEDEA Colleague Emma Southon. The segment focuses on Clodia, a wealthy, independent woman and sister of Clodius. Cicero, feuding with her brother, attacks Clodia's reputation during the trial of Caelius. In his speech Pro Caelio, Cicero characterizes her as a "Palatine Medea" and a seductress to discredit her claims of attempted poisoning. Unable to speak in court, Clodia is silenced by Cicero's rhetorical assassination of her character. NUMBER 12 JULIA: THE EMPEROR'S REBELLIOUS DAUGHTER Colleague Emma Southon. Augustus uses his daughter Julia as a political tool, marrying her to Marcellus, Agrippa, and finally the reluctant Tiberius to secure an heir. While she had five children with Agrippa, her forced marriage to Tiberius leads to rebellion. Julia engages in public adulterous affairs to humiliate her father, resulting in her permanent exile and eventual starvation by Tiberius after Augustus'sdeath. NUMBER 13 QUEENS OF BRITAIN: CARTIMANDUA AND BOUDICCA Colleague Emma Southon. This segment contrasts two British queens: Cartimandua and Boudicca. Cartimandua, queen of the Brigantes, collaborates successfully with Rome, understanding they are "not to be defeated, they're to be pleased." Conversely, Boudicca represents resistance; provoked by Roman mistreatment, she leads a rebellion but is defeated. While Tacitus claims Boudicca committed suicide to preserve honor, English schools celebrate her as a symbol of resistance against tyranny. NUMBER 14 WOMEN OF COMMERCE AND THE FRONTIER Colleague Emma Southon. We meet Julia Felix, a Pompeianentrepreneur who ran a luxury bath and dining complex, offering "bougie" experiences to the middle class before dying in the Vesuvius eruption. The discussion shifts to Vindolanda in Britain, where letters between Sulpicia Lepidina and Claudia Severa reveal a vibrant social life for women in military forts, including birthday parties and domestic luxuries like wild swan and imported wine. NUMBER 15 PERPETUA AND THE RISE OF CHRISTIANITY Colleague Emma Southon. The final segment discusses Perpetua, a young nursing mother and Christian convert in Carthage. Defying the Roman mandate to sacrifice to the emperor, she views suffering as redemptive rather than a punishment. Unlike Romans who viewed suicide by poison as honorable, Perpetua and her slave Felicity choose martyrdom in the arena, having their throats cut to demonstrate their faith, signaling the rise of Christianity. NUMBER 16

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PERPETUA AND THE RISE OF CHRISTIANITY Colleague Emma Southon. The final segment discusses Perpetua, a young nursing mother and Christian convert in Carthage. Defying the Roman mandate to sacrifice to the emperor, she views suffering as redemptive rather than a punishment. Unlike Romans who viewed suicide by poison as honorable, Perpetua and her slave Felicity choose martyrdom in the arena, having their throats cut to demonstrate their faith, signaling the rise of Christianity. NUMBER 16 David

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WOMEN OF COMMERCE AND THE FRONTIER Colleague Emma Southon. We meet Julia Felix, a Pompeianentrepreneur who ran a luxury bath and dining complex, offering "bougie" experiences to the middle class before dying in the Vesuvius eruption. The discussion shifts to Vindolanda in Britain, where letters between Sulpicia Lepidina and Claudia Severa reveal a vibrant social life for women in military forts, including birthday parties and domestic luxuries like wild swan and imported wine. NUMBER 15 1790

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QUEENS OF BRITAIN: CARTIMANDUA AND BOUDICCA Colleague Emma Southon. This segment contrasts two British queens: Cartimandua and Boudicca. Cartimandua, queen of the Brigantes, collaborates successfully with Rome, understanding they are "not to be defeated, they're to be pleased." Conversely, Boudicca represents resistance; provoked by Roman mistreatment, she leads a rebellion but is defeated. While Tacitus claims Boudicca committed suicide to preserve honor, English schools celebrate her as a symbol of resistance against tyranny. NUMBER 14 1700

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JULIA: THE EMPEROR'S REBELLIOUS DAUGHTER Colleague Emma Southon. Augustus uses his daughter Julia as a political tool, marrying her to Marcellus, Agrippa, and finally the reluctant Tiberius to secure an heir. While she had five children with Agrippa, her forced marriage to Tiberius leads to rebellion. Julia engages in public adulterous affairs to humiliate her father, resulting in her permanent exile and eventual starvation by Tiberius after Augustus'sdeath. NUMBER 13 1713 BATTISTA

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CLODIA: THE PALATINE MEDEA Colleague Emma Southon. The segment focuses on Clodia, a wealthy, independent woman and sister of Clodius. Cicero, feuding with her brother, attacks Clodia's reputation during the trial of Caelius. In his speech Pro Caelio, Cicero characterizes her as a "Palatine Medea" and a seductress to discredit her claims of attempted poisoning. Unable to speak in court, Clodia is silenced by Cicero's rhetorical assassination of her character. NUMBER 12 1702

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TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11 1675 LUCA

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LUCRETIA: VIRTUE AND SUICIDE Colleague Emma Southon. The discussion moves to Lucretia, the model of Roman female virtue. During a contest among husbands, Lucretia is found virtuously weaving wool while others party. This leads to her rape by Sextus Tarquinius, who threatens her reputation. To protect her honor, Lucretia confesses to her family and commits suicide, an act Augustus later used to define female virtue and which sparked the end of the monarchy. NUMBER 10 1640 RUBENS

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THE SABINE WOMEN AND AUGUSTAN HISTORY Colleague Emma Southon. Emma Southon discusses A Rome of One's Own, examining history through women's perspectives. They analyze the myth of the Sabine women, abducted by Romulus to populate Rome. This story, recorded by Livy to flatter Augustus, culminates in Hersilia and the women intervening in battle to unite the warring fathers and husbands. It establishes women as the "glue" holding Romanfamilies and society together. NUMBER 9 1640 SABINWS

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THE DEATH OF CICERO Colleague Josiah Osgood. Following Caesar's death, Cicero returns to politics to oppose Mark Antony, delivering the "Philippics" and allying with young Octavian. This strategy backfires when Octavianreconciles with Antony, leading to a kill order against Cicero for his anti-Caesar rhetoric. Cicero is assassinated, possibly meeting his death with theatrical heroism by extending his neck to the soldiers, a scene likely popularized by his loyal secretary Tiro. NUMBER 8 1880 ASSASSINATION

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THE IDES OF MARCH Colleague Josiah Osgood. Cicero returns to a Rome on the brink of civil war, eventually being pardoned by the victor, Caesar. Resenting Caesar's tyranny, Cicero seemingly encouraged Brutus but was not part of the assassination plot. On the Ides of March, Cicero witnessed the murder in the Senate; Brutus shouted Cicero's name while holding the bloody dagger, linking the orator to the restoration of the Republic in the public eye. NUMBER 7 1819 ASSASSINATION

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EXILE AND THE TEMPLE OF LIBERTY Colleague Josiah Osgood. Seeking revenge, Clodius transitions to plebeian status to become a tribune and passes a law punishing anyone who executed citizens without trial, specifically targeting Cicero. Forced into exile, Cicero flees Rome while Clodius destroys his mansion on Palatine Hill. Clodiusdedicates the site to the goddess Liberty as a political coup and a humiliation to Cicero, while also harassing Cicero'swife, Terentia, who remained in Rome. NUMBER 6 1550 MARK ANTONY ORDERS CICERO'S ASSASSINATION

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THE BONA DEA SCANDAL Colleague Josiah Osgood. A scandal erupts when Publius Clodius infiltrates the women-only Bona Dea ceremony at Caesar's house disguised as a female musician, allegedly to pursue Caesar's wife. Although Cicero initially hesitated, he testified against Clodius, destroying his alibi that he was out of town. This testimony created a dangerous enemy in Clodius, who, despite the sacrilege charge, managed to secure an acquittal through bribery. NUMBER 5 1475

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THE EXECUTION MISTAKE Colleague Josiah Osgood. Cicero ordered the execution of five high-ranking Romancitizens allied with Catiline without a trial, believing them to be traitors who forfeited citizenship. This decision, made despite Julius Caesar's suggestion of life imprisonment, became a major political error. Cicero's gloating and refusal to grant due process alienated the public and powerful figures, turning him into a target for the populist movement and threatening his future career. NUMBER 4 1889 CICERO, CATILINE

Transcribed - Published: 27 December 2025