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Story Grid Writing Podcast

Writing an Action Sequence

Story Grid Writing Podcast

Shawn Coyne

Books, Language Learning, Authors, Education, Story, Publishing, Arts, Creativity, Writing, Fiction Writing

4.8767 Ratings

🗓️ 9 August 2018

⏱️ 49 minutes

🧾️ Download transcript

Summary

Tim took at a crack at writing a fast paced action sequence that allows moves his story forward. Shawn walks him through the ins and outs and what to do next.

Transcript

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0:00.0

Hello and welcome to the Story Grid podcast. This is a show dedicated to helping you become a better writer.

0:06.5

I'm your host Tim Graal and I'm a struggling writer trying to figure out how to tell a story that works.

0:12.4

Joining me shortly as Sean Coyne, he is a creator of Story Grid, the author of the book Story Grid, and an editor with over 25 years experience.

0:20.8

In this episode, I continued

0:22.8

writing down the path that we talked about in last week's episode. And I finally felt like I had a

0:28.8

breakthrough and got to a really good place in the novel. So I sent that to Sean. So he gives

0:35.1

feedback on that. But again, of course, we dive into some of the

0:39.1

underlying things about chaos and order and how to look at these things and especially how to

0:46.2

keep writing even when you feel like, I feel constantly torn between, you know, the planning

0:52.8

and the writing and not knowing where to go next.

0:55.5

So he gave some really helpful feedback for me.

0:58.4

So I think it'll be helpful for you as well.

1:00.5

So let's jump in and get started.

1:02.9

So, Sean, I took what we talked about last week because I sent you the one scene of them moving through.

1:09.4

So, you know, I'm working on the middle build.

1:11.5

We're through the midpoint of the middle build. And now, you know, we're ramping up to the ending

1:17.4

payoff. And so I've been just struggling with the pacing and what to do between, you know,

1:26.0

the main points of the middle build. And I mean, everything we run into

1:30.4

always seems like the hardest, right? So this is like, oh, this is so hard to write this inciting

1:35.5

incident that works. And now figuring out how to pace and keep the middle build interesting

1:40.8

while we build up to the ending payoff has been hard. And so I feel like,

1:46.7

you know, last week I sent you one scene where, you know, they're moving from one place to

...

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