Veterans Are Suffering Because of Government Red Tape
The Reason Interview With Nick Gillespie
The Reason Interview With Nick Gillespie
4.7 • 750 Ratings
🗓️ 5 November 2025
⏱️ 70 minutes
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| 0:00.0 | This is the reason interview with Nick Gillespie, where I go deep with the artists, entrepreneurs, |
| 0:06.0 | policymakers, and visionaries who are making the world a more libertarian, or at least a more |
| 0:12.0 | interesting place by challenging worn-out ideas and orthodoxies. |
| 0:16.0 | My guests today are filmmaker John Schenck and former Navy SEAL Marcus Capone. |
| 0:21.0 | Along with Bonnie Cohn, Shank is co-director of the new Netflix documentary in Waves and War, |
| 0:26.7 | which follows three former Navy SEALs as they use psychedelic-assisted therapy to deal with |
| 0:32.1 | post-traumatic stress disorder and traumatic brain injuries related to their service. |
| 0:37.1 | Capone is one of the three main |
| 0:38.8 | figures in the film. He first used the ultra-powerful substances, Ibugane and 5MEO DMT in 2017, |
| 0:46.9 | and he's the co-founder with his wife Amber of Vets, a nonprofit that helps veterans access |
| 0:52.6 | psychedelic therapies. He's also CEO of Tara Mind, |
| 0:56.4 | a company seeking to expand the use of psychedelic-assisted mental health therapies to all Americans. |
| 1:02.8 | I talk with them about why so many veterans and everyday people could benefit from psychedelic therapy |
| 1:09.1 | and the challenges of depicting both the grim |
| 1:12.6 | realities of war and the otherworldly experience of tripping on Ibu gain, which is called the |
| 1:18.2 | Mount Everest of Psychedelics. We also discussed why the Trump administration and an unlikely |
| 1:23.9 | bipartisan group of legislators may well help usher in what some are calling a psychedelic |
| 1:29.8 | renaissance. Here is the Reason interview with John Shank and Marcus Capone of In Waves and War. |
| 1:38.9 | John Shank, Marcus Capone, thanks for talking to Reason. |
| 1:42.7 | Great to be here. Thanks for having us. |
| 1:44.8 | Yeah. |
| 1:45.9 | This is a remarkable film that has two distinct halves to it, really, in a way. |
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