Yeah, I don't know quite what it is, but something just feels different about this episode.

It's because we switch places.

Wait, what?

You usually sit here and I usually sit there.

Oh, okay, yeah, that's got to be it. Hi, this is Dick Miller.

You're listening to Junk Food Cinema on Film School rejects.

Who are these guys?

Yeah. Film school rejects. Who are these guys? Well, I hope you're hungry, bopp because it's time for another appetizing episode of junk food cinema.

Film score rejects cult and exploitation film celebration podcast with all of the fat and none of the irony.

I'm your host Brian Salisbury.

I was the author of Junk Food Cinema, the column.

I'm Brian Salisbury. Wait, are you Brian Salisbury?

I'm Brian Salisbury.

So I guess that makes me see Robert Cargill.

Yeah, that's the worst impression of you ever.

I've heard since Cory Coleman trying to do an impression.

No.

Yeah, I'm Brian Salisbury, as I think so.

Now I'm not entirely sure. I used to write

the column and now I'm the architect of this nightmare. So congratulations to everyone listening.

And joining me as always is my friend and co-pilot screenwriter slash novelist C. Robert Cargill.

Hey. I think so. Again, I'm going to be dubious of all of this. I mean, I feel like, you know, there's some strange kind of hooji-woogie going on.

...