Tina Fey and the Transformative Power of Improv
Clear+Vivid with Alan Alda
Bobi NYC
4.7 • 3.8K Ratings
🗓️ 21 August 2018
⏱️ 32 minutes
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Summary
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| 0:00.0 | I'm Alan Alda and this is Clear and Vivid. Conversations about connecting and communicating. |
| 0:16.5 | This conversation is with actor, writer and producer and amazingly talented person Tina |
| 0:21.5 | Fay. You know Tina of course we work on Saturday Night Live for best selling book or |
| 0:27.0 | movies and also for creating and starring in 30 Rock. My conversation with Tina took place |
| 0:33.3 | in front of a live audience at the 2017 World Science Festival. |
| 0:38.0 | Good evening. Hi everybody. Hi Alan. How are you? Nice to be here on such a great day for science. |
| 0:57.0 | Tina was supposed to be interviewing me about my new book but like many interviews, many, many good |
| 1:03.4 | interviews it turned out to be just a conversation between the two of us. I think one of the key attributes |
| 1:09.6 | of good communication is people paying attention to each other but I mean really paying attention, |
| 1:15.7 | really listening, not just having doling monologues. I'm kind of fascinated by the idea that a |
| 1:22.0 | fundamental tool used by actors, a kind of deep listening, can be used by anyone. The way I |
| 1:28.6 | learned it was by studying improvisation and although anyone can apply these principles, it's always |
| 1:34.7 | fun to run into someone who learned it the way I did. It turns out that Tina Fay and I both began |
| 1:40.2 | our careers in the field of improvisation and in fact with the same company the second city. |
| 1:45.4 | Tina worked in the Chicago Company of Second City and I worked in the New York Company and we |
| 1:51.3 | were both trained in improvisation by the great Viola Spolan but Viola's improv training was not |
| 1:56.9 | to teach us how to be funny. Instead it was all about relating and connecting which of course is |
| 2:04.0 | the subject of these podcasts. At one point in our conversation I told Tina what a profound effect |
| 2:11.0 | Viola Spolan's improv training had had on me and not just as an actor but in my whole life and I |
| 2:18.0 | wondered if she'd felt the same way. I did. I felt that it was completely transformative. |
| 2:24.2 | The one of the core ideas in improvisation is to agree to say yes and to agree is the yes |
| 2:32.7 | and then the and is to contribute something of your own and it's something that once you get in the |
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