Hey everybody, this is Rob Leifeld. Welcome to another edition of Robeservations. What a journey

this has been. This is our 90th outing, our 90th episode. Good God, at least 100 plus hours of

jibber jabber talkathona-thon from me about comics and movies and

all that stuff and pop culture and streaming.

You know, my first episode, I said I'm going to walk you through my youth.

And I think I kind of took longer than I ever

expected it to take. And yet it still was over really fast. I thought, man, this will be like,

you know, years to tell these stories, to tell the magic of the spinner rack and the magic of

the Avengers and the Fantastic Four and the magic of the Avengers and the

fantastic four and all these comic books that hit me as a kid, turned me on and set me on this

career path. And I mean, I'm still, you know, obsessed with comic books in all shapes, sizes,

forms. I don't get a lot of new comics.

I'm not going to lie to you.

I go to the comic store.

I peruse the shelves.

I put a lot of stuff down back.

One of the main growth areas of comic books in the last several years has been without a doubt, without fail.

100% is the advancements of computer color, the rendering, the stuff that these amazing artists

can do now. Many of them, you know, they color their own work. They pencil it, they ink it, and they also apply all of the color, the paint, the digital tools that are available to today's comic book talents are second to none.

It's like nothing we've seen.

And some of these talents have mastered this ability to paint and to finish their own

work in a way that i just impresses the crap out of me a couple of them are uh either Korean

...