The Candid Frame #187 - Joshua Mann Pailet
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 20 May 2013
⏱️ 50 minutes
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| 0:00.0 | Hi, this is IvarianX and welcome to another episode of The Candid Frame. |
| 0:13.5 | This episode is brought to you by Squarespace, the beautiful and intuitive website publishing platform that allows anyone to easily create professional webpages, |
| 0:23.7 | blogs, online stores, and galleries on a single platform. |
| 0:27.6 | For a free trial and 10% off your first purchase on new accounts, |
| 0:31.7 | go to Squarespace.com forward slash candid frame and use the offer code candid frame five. |
| 0:48.9 | Hi, this is Ebody and X and welcome to another episode of the Candid Frame. |
| 0:53.8 | Well, for the last couple of weeks, |
| 0:55.4 | I've been on vacation in New Orleans, which is a wonderful city. It was my first time. And not only |
| 1:01.4 | didn't my wife and I have a wonderful vacation, but it was just a great opportunity to pull out my |
| 1:07.3 | camera and make a lot of images. The city is just, just marvelous. And as you well |
| 1:14.0 | know, the events of the hurricane about seven or eight years ago was really a devastating one for |
| 1:19.1 | that city. But it's been managing to build itself back up, not just in terms of its infrastructure, |
| 1:25.5 | but also in terms of what's been happening with the people. |
| 1:28.8 | And one of the things that I wanted to do when I went down there was to have an opportunity |
| 1:32.5 | to talk with a photographer who lives in that community. |
| 1:37.5 | And today's guest, Joshua Man Pele, is just such a man. |
| 1:41.9 | He's also the owner of a gallery called the A Gallery, and it's a gallery |
| 1:46.2 | that he started back in the 70s at a time when fine art photography was not considered to be fine |
| 1:53.4 | art. The market for such work was not considered on par with what was happening with paintings |
| 1:59.0 | and sculptures. It was pretty much thought about as a collection of snapshots that, you know, might be able |
| 2:06.1 | to procure a couple hundred dollars, but not the tens of thousands or millions of dollars |
| 2:10.5 | that artwork was going for at the time. |
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