4.6 β’ 2.7K Ratings
ποΈ 30 April 2019
β±οΈ 40 minutes
ποΈ Recording | iTunes | RSS
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| 0:00.0 | When you drive a Chevy electric vehicle, you're getting more than a way to get from point A to point B. |
| 0:06.0 | You're saying goodbye to gas stations and hello to open roads. |
| 0:09.0 | With the growing network of public charging stations, you'll be able to charge your EV while you shop, work, or do whatever you want to be doing with your time. |
| 0:17.0 | Chevy is making EVs for everyone, everywhere. |
| 0:20.0 | Go to chevrelay.com slash electric to learn more. |
| 0:30.0 | Welcome to Switched on Pop. I'm musicologist Nate Sloan. |
| 0:35.0 | And I'm a songwriter, Charlie Harding. |
| 0:37.0 | Okay, Charlie. Today I want to start by reading you a tweet that we received from Travis Parker Martin. |
| 0:44.0 | Hey, Switched on Pop. Can anyone explain why I didn't like the new Taylor Swift song during the first year of the year? |
| 0:52.0 | I was hooked on the song and instantly had to replay it. I feel like there's some sorcery going on. |
| 0:57.0 | And quote. So I want to take Travis Parker Martin's query today about the sorcery. |
| 1:04.0 | I want to take Travis Parker Martin's query today. |
| 1:09.0 | I want to take Travis Parker's query today. |
| 1:13.0 | Yeah. |
| 1:14.0 | The sorcery behind the new Taylor Swift song, Me, try and break it down musically. |
| 1:19.0 | First half, second half, we pivot to the collaborator on this track, Branden Uri, of Panic at the Disco, to break down their song, High Hopes. |
| 1:29.0 | That sounds wonderful. |
| 1:31.0 | Okay, let's start. I want to start right with the despicable bridge of this. |
| 1:36.0 | New Taylor Swift track. Okay, so we're just going to jump right to the bridge of this song. |
| 2:06.0 | Sorry to say, but I hate it. Okay, so you and Travis are aligned here. This is not a good bridge. No, I mean, it just sounds like a school yard game from a very mature artist at the top of their game. |
| 2:27.0 | Hey, kids, spelling is fun. Okay. But then right after this moment, we get to the third chorus. |
| 2:34.0 | And this is the moment when for this listener, like he's captured by the song. He comes around. And I'm kind of with him. |
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