Switched on Pop

You've heard those shimmering disco strings in Miley Cyrus's "Flowers," the cinematic arrangements on Phoebe Bridgers' Punisher, and the orchestral flourishes across Taylor Swift's catalog, but you probably didn't know they're all the work of one person: Rob Moose. The violinist and multi-instrumentalist has contributed to nearly 1,000 albums, quietly becoming pop music's most prolific string architect. In this conversation, Moose reveals how he translates classical training into contemporary pop language, working with everyone from Sufjan Stevens to Bon Iver to create arrangements that feel both intimate and epic. We dive into his process, explore how he's reshaped what strings can do in popular music, and uncover the craft behind those arrangements you can't get out of your head. MORE Subscribe to our newsletter to receive your own bingo card! Songs Discussed Miley Cyrus “Flowers” Phoebe Bridgers “Punisher” Phoebe Bridgers Copycat Killer (EP, includes re-arranged versions of “Punisher,” “Kyoto,” “Savior Complex,” “Chinese Satellite”) Sufjan Stevens “Chicago” Bon Iver “Everything Is Peaceful Love” RINI “Miracle” Bon Iver “Short Story” Bon Iver “Speyside” Phoebe Bridgers “Chinese Satellite” Phoebe Bridgers “Savior Complex” Phoebe Bridgers “Kyoto” Lizzy McAlpine “Ceilings” Gracie Abrams “I Love You, I’m Sorry” Rob Moose “I Bend But Never Break” ft Brittany Howard Alabama Shakes “Sound & Color” Taylor Swift “Hoax” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 26 August 2025

The conversation around the new music this summer has been a dour one. Some of the biggest songs in the country right now are downtempo stomp-clap anthems and wistful Cranberries pastiche. Even on this very show, Nate and Charlie have asked: where's the fun? As it turns out, the party (as always) is happening in hip-hop, led by a formidable influence: Pharrell.. On this episode of Switched On Pop, producer Reanna and engineer Brandon join Charlie for a tour through rap music's latest sweaty offerings, including the new album by Tyler, the Creator, Clipse's return to music, and catchphrase worthy singles by Cardi B, PLUTO, and Drake. Songs discussed: Tyler, The Creator, Pharrell Williams – Big Poe Nelly – Hot in Herre Noreaga – Superthug Kelis – Milkshake Tyler, The Creator, Cole Alexander – Deathcamp N.E.R.D. – Rockstar Tyler, The Creator – Ring Ring Ring Tyler, The Creator, Frank Ocean, Steve Lacy – 911 / Mr. Lonely Tyler, The Creator – I THINK Mr. Fingers – Mystery of Love Michael Jackson – Off the Wall N.E.R.D., Nelly Furtado – Hot-n-Fun N.E.R.D. – Things Are Getting Better Pharrell, Nelly – Baby Clipse – So Be It Clipse – Virginia Clipse – Intro Talal Madah – Maza Akoulou Beastie Boys – Paul Revere Clipse – Ace Trumpets Clipse, John Legend, Voices of Fire – The Birds Don't Sing Cardi B – Outside Cardi B – Bodak Yellow Cardi B, Bad Bunny, J Balvin – I Like It Cardi B, Megan Thee Stallion – WAP Cardi B – Up PLUTO, YK Niece – WHIM WHAMIEE OJ Da Juiceman, Gucci Mane – Make tha Trap Say Aye Roxanne Shante – Roxanne's Revenge Drake, Central Cee – Which One? Drake, Rihanna – Too Good Rihanna, Drake – Work Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 19 August 2025

Why do bad lyrics happen to good people? From "suckin' on a chili dog" to "making love to his tonic and gin," even the biggest hits from our favorite artists can feature lyrical turns that make us feel quizzical, offended, or even downright nauseated. With the help of Sam Sanders, brilliant host of The Sam Sanders Show, we plumb the depths of the worst pop lyrics of all time—culled from hundreds of submissions form Switched on Pop listeners—to try categorize, historicize, and, perhaps, celebrate the art of the lyrical faux pas. Follow Sam on Instagram  and check out The Sam Sanders Show for more hot takes on entertainment and culture. We recommend you start here. Songs Discussed Benson Boone - Mystical Magical Velvet Sundown - Rebel Shout Live - Lightning Crashes Captain and Tennille - Muskrat Love John Mellencamp - Jack and Diane Fergie - Big Girls Don't Cry, London Bridge Katy Perry - Firework Billy Joel - Piano Man Richard Harris - MacArthur Park Imagine Dragons - Sharks Des'ree - Life, You Gotta Be One Direction - Don't Forget Where You Belong, Little Things Taylor Swift - Willow, Anti Hero, I Hate it Here, ME! Train - Hey Soul Sister, Meet Virginia, Drops of Jupiter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 12 August 2025

Every music critic seems to agree: 2025 has no true song of summer. Last August, Teddy Swims’s “Lose Control” dominated the charts. This year…Teddy Swims’s “Lose Control” dominates the charts. What’s going on? Why is there no new summer song to unite us in collective listening, and will there ever be again? Elamin Abdelmahmoud, host of the CBC’s daily culture podcast Commotion, joins Nate and Charlie to discuss the dearth of seasonal bops, and suggest some possible contenders for sleeper summer hits, from the soundtrack of the anime film KPop Demon Hunters to the latest from the Haim sisters. Despite the moribund status of the Hot 100, there is no shortage of great music to be found in the dog days of summer if you’re willing to listen closely. More Check out more music commentary from Elamin and Commotion, like their dive into Bruce Springsteen’s unreleased albums, or their dissection of Bieber’s latest with our very own Reanna Cruz. Songs Discussed HUNTR/X, EJAE, AUDREY NUNA - Golden  Tyler Childers - Eatin’ Big Time Haim - Relationships Ravyn Lenae - Love Me Not Amber Mark - Sweet Seratonin Sly and the Family Stone - Thank You (Falettin Me Be Mice Elf) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 5 August 2025

Justin Bieber is back with his seventh studio album: the aptly-titled SWAG. The lo-fi, reverb-laden record is a remarkably candid look inside the world of Bieber, using the palette of both underground pop and 90's R&B to accentuate lyrics about his wife, his struggles, and his "standing on business." Notably, it's his first album post-split with manager Scooter Braun, and the first where Bieber has been in full artistic control. On this episode of Switched On Pop, we tap into the SWAG mindset and attempt to understand Bieber's newfound vision, what it's saying, and ultimately, if it even still matters. Songs discussed: Justin Bieber – DAISIES Justin Bieber, Daniel Caesar, Giveon – Peaches Justin Bieber, Sexyy Red – SWEET SPOT The Kid LAROI, Justin Bieber – STAY Justin Bieber, Druski – STANDING ON BUSINESS Justin Bieber – ALL I CAN TAKE Peter Gabriel – In Your Eyes Justin Bieber – GO BABY Justin Bieber – TOO LONG Justin Bieber, Gunna – WAY IT IS Justin Bieber, Dominic Fike – Die For You Justin Bieber, Burna Boy – Loved By You Justin Bieber, Lil B – DADZ LOVE Mk.gee – Alesis Mk.gee – Are You Looking Up Dijon – The Dress Justin Bieber – WALKING AWAY Haim – Don't Wanna Justin Bieber, Dijon – DEVOTION Justin Bieber – One Less Lonely Girl Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 29 July 2025

What if the entire sound of modern podcasting can be traced back to a single Grateful Dead song uploaded in 2001? We uncover the musical lineage that connects NPR's classical gravitas to dubstep wobbles, from the very first RSS feed experiment to the mysterious masked composer who's scored over 200 podcast themes and shaped what millions of people hear when they hit play. This deep dive reveals how podcast music evolved from classical public radio strings into today's signature blend of plinking pianos, breakbeats, and irreverent sampling—plus an exclusive interview with the enigmatic Breakmaster Cylinder, the "Hans Zimmer of podcasting" who's been hiding behind a robot helmet for over a decade. MORE Subscribe to our newsletter SONGS DISCUSSED Grateful Dead "Truckin'" Adam Curry "Daily Source Code" theme NPR "All Things Considered" theme Don Voegeli "All Things Considered" original theme (1971) Don Voegeli "All Things Considered" jazz funk version (1976) NPR "All Things Considered" orchestral version (1983/1995) The Daily theme WNYC "On the Media" theme by Ben Allison "Disposable Genius" Christopher Lydon "Radio Open Source" theme by Dafnis Prieto Disparition "The Ballad of Fiedler and Mundt," (Welcome to Night Vale theme) Serial theme Joe Rogan Experience theme Call Her Daddy theme Snap Judgment theme The Breakfast Club theme WTF with Marc Maron theme by John Montagna "Lock the Gate" Reply All theme by Breakmaster Cylinder Breakmaster Cylinder "Outside In" theme Breakmaster Cylinder "Bird Note" (Claire de Lune with loon calls) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 22 July 2025

What if the entire sound of modern podcasting can be traced back to a single Grateful Dead song uploaded in 2001? We uncover the musical lineage that connects NPR's classical gravitas to dubstep wobbles, from the very first RSS feed experiment to the mysterious masked composer who's scored over 200 podcast themes and shaped what millions of people hear when they hit play. This deep dive reveals how podcast music evolved from classical public radio strings into today's signature blend of plinking pianos, breakbeats, and irreverent sampling—plus an exclusive interview with the enigmatic Breakmaster Cylinder, the "Han Zimmer of podcasting" who's been hiding behind a robot helmet for over a decade. MORE Subscribe to our newsletter SONGS DISCUSSED Grateful Dead "Truckin'" Adam Curry "Daily Source Code" theme NPR "All Things Considered" theme Don Voegeli "All Things Considered" original theme (1971) Don Voegeli "All Things Considered" jazz funk version (1976) NPR "All Things Considered" orchestral version (1983/1995) The Daily theme WNYC "On the Media" theme by Ben Allison "Disposable Genius" Christopher Lydon "Radio Open Source" theme by Dafnis Prieto Disparition "The Ballad of Fielder and Mourn" (Welcome to Night Vale theme) Serial theme Joe Rogan Experience theme Call Her Daddy theme Snap Judgment theme The Breakfast Club theme WTF with Marc Maron theme by John Montagna "Lock the Gate" Reply All theme by Breakmaster Cylinder Breakmaster Cylinder "Outside In" theme Breakmaster Cylinder "Bird Note" (Claire de Lune with loon calls) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 22 July 2025

The robots have arrived, and they're making protest songs about boots on the ground. When an AI band called The Velvet Sundown fooled over a million Spotify listeners with their psychedelic folk anthems, it raised an unsettling question: have the machines gotten so good we can no longer hear the difference? Charlie puts Nate to the test with a game of "AI or Human?" featuring Wu-Tang deepfakes, phantom instruments, and songs that sound like Dire Straits and Tom Petty had a baby. Along the way, they uncover the five telltale signs that expose artificial music, from juvenile rhyming patterns to voices that shapeshift between tracks. But here's the terrifying part: just six months ago, AI music was unlistenable chaos. Now it's disturbingly competent. And it's only getting better. Songs Discussed The Velvet Sundown - "Dust on the Wind" Post Malone - "Chemical" Crosby, Stills, Nash & Young - "Ohio" The Velvet Sundown - "Freedom Song" Kansas - "Dust in the Wind" The Animals - "House of the Rising Sun" Creedence Clearwater Revival - "Have You Ever Seen the Rain?" The Velvet Sundown - "Where War Remains" Pink Floyd - "Wish You Were Here" The Velvet Sundown - "Ash and Velvet" Buffalo Springfield - "For What It's Worth" The Velvet Sundown - "For the Ones We Couldn't Keep" The Velvet Sundown - "Mirrors in the Smoke" Pink Floyd - "Breathe" The Velvet Sundown - "Rebel Shout" The Velvet Sundown - "Smoke in Silence" The Velvet Sundown - "Marching Shadows" The Velvet Sundown - "As the Silence Falls" The Velvet Sundown - "How Did This Go Wrong?" Hip Hop Intelligence - "Bar Fight" (AI Wu-Tang) Hip Hop Intelligence - "Party with Me" (AI Eminem) Temple of the Acid Fist Records - "Woman Gone Blues" (AI) "Echoes of Twilight" (AI student example) The Velvet Underground - "Sweet Jane" "Whispers of Chaos" (Charlie's AI generation) Mungo Jerry - "In the Summertime" Almost Vinyl - "Phil Wildo's Door to Door Dildos" (AI) Joey Two Legs - "I Shouldn't Have Done That" (hybrid) Bill Evans AI track (untitled, by Nobody in the Computer) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 15 July 2025

In which we explore the unlikely rise, and surprising backlash against, one Benson Boone. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 8 July 2025

Why does the economy look great on paper but feel terrible in your wallet? There might be a more revealing economic indicator hiding in your Spotify queue. "Recession Pop" first emerged during the Great Recession and exploded into playlists, radio formats, and DJ sets in 2024. From melancholy indie anthems to escapist dance tracks, the songs we gravitate toward during uncertain times might predict where the economy is headed next. Host Jonquilin Hill explores this musical phenomenon on Vox's "Explain it To Me," with Charlie joining in the second half to decode what our streaming habits reveal about financial anxiety and economic forecasting. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 1 July 2025

As we've been examining over the course of Country Week, country music has found a larger audience, in part by widening its sonic palette. For the final episode of this series, we take a look at a genre on the outskirts of country – Americana music – and how it's being used to connect to the scene's musical roots.   Historically, Americana has embraced an acoustic sound, traditional repertoire, and an appetite for virtuosic technique. In bluegrass artists like Billy Strings and roots musicians like Sierra Ferrell, Nate and Charlie see if there's an antidote to be found for the issues that plague modern, mainstream country music. Songs discussed: The Punch Brothers – Rye Whiskey Sierra Ferrell – In Dreams Dolly Parton – Jolene Sierra Ferrell – I Could Drive You Crazy Sierra Ferrell, Zach Bryan – Holy Roller Billy Strings – Dust in a Baggie Billy Strings, Willie Nelson – California Sober Tyler Childers – In Your Love Tyler Childers – Phone Calls and Emails Tyler Childers – Rustin' In The Rain Don Gibson – Oh, Lonesome Me Waylon Jennings, Willie Nelson – Mamas, Don't Let Your Babies Grow Up To Be Cowboys The Chicks – Long Time Gone The Steeldrivers – Higher Than the Wall Beyoncé – Texas Hold'em I'm With Her – Espresso Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 27 June 2025

More often than not, country music is seen as an "American" genre – meaning that the music is seen as strictly from the United States. In some ways, that's true; but the genre's iconography, sound, and ethos can actually be traced to the south of the border, in Mexican regional music. The worlds have been more intertwined than you would think, and in musica mexicana, we find the closest comparison to what we traditionally call "country music." In this episode of Switched On Pop, in honor of country week, we take a look at the cumbia-corrido hybrid "Me Jalo" from Fuerza Regida and Grupo Frontera, two U.S. based acts performing Mexican regional music, to see what ties the cultures together. Songs discussed: George Strait – El Rey Carín León – Necesito Encontrarte Fuerza Regida, Grupo Frontera – ME JALO Fuerza Regida – TQM Grupo Frontera, Bad Bunny – un x100to Fuerza Regida – SECRETO VICTORIA Grupo Frontera, Grupo Firme – EL AMOR DE SU VIDA Fuerza Regida, Grupo Frontera – Bebe Dame Shania Twain – Whose Bed Have Your Boots Been Under Hank Williams – Your Cheatin' Heart Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 26 June 2025

There's often an unspoken (and deeply misogynistic) rule on country music radio: never play two female artists back to back. In this episode of Switched On Pop's country week, we aim to do just that. Looking at two artists on opposite ends of the country music spectrum – traditionalist Lainey Wilson, and genre-bending Jessie Murph – Nate and Charlie try to understand the state of female country through their respective songs "4x4xU" and "Blue Strips." Songs discussed: Lainey Wilson – 4x4xU Jessie Murph – Blue Strips Lainey Wilson – Country's Cool Again Lainey Wilson – Heart Like A Truck HARDY, Lainey Wilson – wait in the truck Jessie Murph – Gotta Hold Jessie Murph – Gucci Mane Jessie Murph, Sexyy Red – Blue Strips (Remix) Zach Top – I Never Lie Carrie Underwood – Before He Cheats Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 25 June 2025

One of the biggest country hits of the year has been "All The Way," by Texas rapper BigXthaPlug and country rocker Bailey Zimmerman, which peaked at #4 on the Billboard Hot 100. The song is a perfectly mixed cocktail of trap sonics with country melodies, held together by a shared southern drawl between the two artists. As the genre of "country" expands and morphs to include different sounds, artists, and styles, "All The Way" serves as an exemplary example of the country-rap hybrid done right. But the song isn't the first to feature an unlikely collaboration across the genre aisle. This episode of Switched On Pop, we go deep on this collab and others, to see what works and what doesn't when the gates that keep the country music industry separate are swung wide open. Songs Discussed: BigXthaPlug, Bailey Zimmerman – All The Way BigXthaPlug – Texas War – Slipping Into Darkness BigXthaPlug – The Largest Bailey Zimmerman – Where It Ends Lil Nas X, Billy Ray Cyrus – Old Town Road Eminem, Rihanna – Love The Way You Lie Nelly – Country Grammar (Hot Shit) Nelly, Tim McGraw – Over And Over Florida Georgia Line, Nelly – Cruise - Remix Ernest, Snoop Dogg – Gettin' Gone Lil Durk, Morgan Wallen – Broadway Girls Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 24 June 2025

Country music stands at a crossroads between tradition and evolution, and no artist embodies this tension better than Morgan Wallen. His song "I'm the Problem" opens with beautiful bluegrass guitar before hitting you with hard-hitting 808 basslines, creating a sonic reflection of country's current identity crisis. Wallen has this uncanny ability to turn his endless personal problems into undeniably catchy hooks that somehow make him more relatable, not less. Despite having every reason to write him off, there's something about his gritty voice and imperfect persona that keeps drawing listeners back. What makes him so compelling, and why his 37-track album dominated the charts, reveals something deeper about what country music is becoming. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 23 June 2025

Looking for relationship advice? Skip the self-help books and turn to Sabrina Carpenter's latest single "Manchild" instead. This deep dive into the art of musical insults reveals how pop's newest sensation joins a legendary lineage of women artists who've perfected the craft of calling out incompetent men through song. From Dolly Parton's subversive "Dumb Blonde" to TLC's iconic "No Scrubs," there's an entire musical tradition of witty takedowns that reclaim power through clever wordplay, genre-hopping arrangements, and lyrical traps that expose male vanity. MORE Subscribe to our newsletter to receive your own bingo card! Songs discussed Sabrina Carpenter "Manchild" Sabrina Carpenter "Espresso" Olivia Rodrigo "Driver's License" The Beatles "Get Back" Heart "Barracuda" Dolly Parton "Dumb Blonde" Sabrina Carpenter "Please Please Please" TLC "No Scrubs" Destiny's Child "Bills, Bills, Bills" Destiny's Child "Independent Women Part 1" Shania Twain "That Don't Impress Me Much" Carly Simon "You're So Vain" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 17 June 2025

What if the Chairman of the Board's biggest contribution to music wasn't his voice, but the blueprint he created for modern pop stardom? Frank Sinatra didn't just sing songs: he invented the concept album, injected his full personality into every performance, and created a template for artistic control that today's biggest stars still follow. His influence runs deeper than you think: Amy Winehouse titled her debut Frank as tribute, Jay-Z calls himself "the new Sinatra," and Frank Ocean borrowed his name from both Sinatra and Ocean's Eleven. That influence extends to unexpected places too: Seth MacFarlane, the creator of Family Guy, has been championing Sinatra's orchestral style for years, and through his friendship with the Sinatra family gained access to over 1,200 boxes of never-recorded arrangements. His new album Lush Life: The Lost Sinatra Arrangements features songs that arranged for Sinatra but never performed, uncovering musical treasures that reveal new insights into how the Chairman of the Board's innovations still shape the sound of pop music today. More Subscribe to our newsletter to receive your own bingo card! Songs Discussed Frank Sinatra "Fly Me to the Moon" Frank Sinatra "All the Way" Frank Sinatra "In the Wee Small Hours of the Morning" Frank Sinatra "Something" (Beatles cover) Amy Winehouse "Halftime" Jay-Z "Empire State Mind" Frank Sinatra "Strangers in the Night" Frank Sinatra & Nancy Sinatra "Something Stupid" Frank Sinatra "New York, New York" Frank Sinatra "My Way" Sonny and Cher "I Got You Babe" Frank Sinatra "Laura" Seth MacFarlane "How Did She Look" Seth MacFarlane "Lush Life" Seth MacFarlane "Give Me the Simple Life" Seth MacFarlane "Shadows" Seth MacFarlane "Who's in Your Arms Tonight" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 10 June 2025

The UK outfit Sleep Token has done what we once thought impossible: Found commercial success playing heavy metal music in 2025 AD. Their fourth studio album, Even in Arcadia, went to number one on the Billboard 200 upon its release, with all ten of its tracks charting on the Hot 100—this despite the fact that the band has been entirely masked and anonymous through their nine year existence. Sleep Token's willingness to inject their brand of heavy metal with autotuned pop vocals, reggaeton beats, and hop hop inflected rhythms has widened their audience, but in the process had galvanized scathing criticism. Pitchfork gave the album a withering review calling Even in Arcadia "schmaltzy and dull," while Anthony Fantano dubbed the band "metal music for Disney adults." We get to know Sleep Token—the music and the controversy—by listening deeply to the ways they toy with the genre conventions of metal, and ask whether they are changing the sound of pop in the process. AUDIENCE SURVEY 2025: https://switchedonpop.typeform.com/survey2025 Songs Discussed Sleep Token - Thread the Needle, Emergence, Caramel, Damocles Ghost - Satanized Metallica - Hero of the Day Nickelback - How You Remind Me Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 3 June 2025

Five years ago, Charli XCX released the track "party 4 u," a melancholic ode to throwing a function for that one specific person. Now, in 2025, the song has gotten a renewed life – motivated by a foolproof cocktail of TikTok trends, the Billboard Hot 100, and a post-Brat Summer clamor for Charli. It's rare for pop songs like this to get a second wind. So, on this episode of Switched On Pop, Reanna, Nate, and Charlie put on our detective hats on to dissect the five-minute song's vocals, textures, and structures to understand just why people are reconnecting with it, half a decade later. Songs discussed: Charli XCX – party 4 u Charli XCX – claws Charli XCX – 4 in the Morning Charli XCX – anthems Lesley Gore – It's My Party Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 27 May 2025

The 808 is arguably the most iconic drum machine ever made. Even if you’ve never heard of it, you’ve definitely heard it. It’s in dozens of hit songs -- from Usher to Marvin Gaye, Talking Heads to The Beastie Boys -- and its sounds have quietly cemented themselves in the cultural lexicon. In this episode, we try to understand how that happened and follow the unlikely path of the 808. Featuring DJ Jazzy Jeff and Paul McCabe from Roland. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 25 May 2025

What happens when worship anthems climb the charts alongside soul revivals and nostalgia-driven comebacks? The May 2025 Billboard charts reveal a fascinating musical landscape where Drake performs a strategic reset after his epic battle with Kendrick, worship-adjacent pop dominates the mainstream, and The Marias reject conventional song structures with dreamy success. From the bizarre 34-second Minecraft soundtrack hit to the rise of "voice audition pop," we're exploring how these competing visions of pop music reflect our collective anxieties and cultural shifts. Is this beautiful chaos the new normal? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 20 May 2025

We rarely cover movies here at Switched On Pop. But after seeing Ryan Coogler's new vampire musical Sinners, we knew we had to make an exception. The movie is an ode to Black music. Throughout its over two hour runtime, the film pays tribute to the blues: nodding to the musicians, instruments, and melodies that make it a foundational genre in the American musical canon. There's also Irish folk vampires, original music from Ludwig Göransson, and a whole lot of history – perfect for Charlie and Nate to sink their teeth into. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 13 May 2025

It's that time of year again: Eurovision Song Contest is upon us. And with the competition comes a tradition at Switched On Pop, where Charlie and Nate look at the songs (and countries) that have the best odds to take home the title. This year, we have an ode to the sauna, soaring operatics, and a feast of food-themed tunes – including the Estonian entrant Tommy Cash's ode to the "Espresso Macchiato." This episode of Switched On Pop, we take a sonic trip to Basel, Switzerland – and in the back half of the episode, talk to Tommy Cash himself about his entry and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 6 May 2025

Despite TikTok defining this decade's music landscape, the app hasn't spawned a bonafide pop superstar – yet. 24-year-old Addison Rae is trying to be the first. She's already had cosigns from Arca, Charli XCX, and Benny Blanco; critical acclaim from outlets like Pitchfork, Rolling Stone, and Elle; and is cultivating a fervent fanbase with a slew of breathy, ethereal, and inspiration-laden singles. But how does one translate TikTok celebrity into pop success? On this episode of Switched On Pop, Reanna, Nate, and Charlie put their "Headphones On" to understand how one of the biggest Gen-Z celebrities is trying to parlay her allure into pop princess-dom. Songs discussed: Addison Rae – Diet Pepsi Addison Rae – Aquamarine Addison Rae – High Fashion Addison Rae – Headphones On Addison Rae – Obsessed Charlie Puth – The Way I Am Michael Jackson – Smooth Criminal Addison Rae – I got it bad Addison Rae – Nothing On (But The Radio) Addison Rae – it could've been u Addison Rae – 2 die 4 (feat. Charli XCX) Charli XCX, Addison Rae, A. G. Cook – Von dutch a. g. remix Lana Del Rey – Blue Jeans Lana Del Rey – Cherry Lana Del Rey – Diet Mountain Dew Lana Del Rey – Bartender Lana Del Rey – Cola Madonna – Nothing Really Matters Selena Gomez, A$AP Rocky – Good For You Edie Brickell & New Bohemians – What I Am Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 29 April 2025

Taylor Swift isn't just a world-conquering pop star at the top of her game, her approach to songwriting has also proven massively influential for an up-and-coming generation of singer-songwriters. Gracie Abrams, Maisie Peters, and Phoebe Bridgers—all of whom opened for Swift during her Eras Tour—each owe a debt to Swift's hyperspecific lyrics, minimal melodies, and bombastic bridges. We break down the key aspects of Swift's songcraft and how we can hear them manifest in the work of her young acolytes, and we speak to another burgeoning artist, the brilliant Jensen McRae, to learn firsthand why Swift's style has been so resonant. Songs Discussed Taylor Swift - All Too Well (10 Minute Version) (Taylor's Version) (From The Vault) Gracie Abrams - That’s So True Maisie Peters - There It Goes Taylor Swift - Style (Taylor's Version) Taylor Swift - You're On Your Own, Kid Phoebe Bridgers - Motion Sickness Taylor Swift - Our Song Beyoncé - Sandcastles Katy Perry - Unconditionally Taylor Swift - cardigan Dua Lipa - Levitating Taylor Swift - You Belong With Me (Taylor’s Version) Taylor Swift - Dear John (Taylor's Version) Jensen McRae - Praying For Your Downfall Jensen McRae - Savannah Jensen McRae - Immune Taylor Swift - Would've, Could've, Should've MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 22 April 2025

Specialized platforms and social media have empowered musicians to tap into niche audiences, igniting a quiet revolution in the music industry. Despite the dominance of viral hits, a new wave of artists, labels and businesses are redefining success by building dedicated fanbases with focused, niche strategies. This conversation, live from SXSW, features Charlie leading a conversation with: LP Giobbi, a producer, jazz-trained pianist, and activist who spends 300 days a year touring between festival stages, club floors, and studios. Nabil Ayers, president of Beggar's Group, home to multiple indie labels including 4AD, Matador Records, Rough Trade, and XL Recordings. Dani Deahl, a DJ, producer, and head of communications and creator insights at BandLab, the most popular digital audio workstation worldwide. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 15 April 2025

Miley Cyrus just released three singles from her ninth studio album, Something Beautiful. Inspired by Pink Floyd's The Wall—specifically the 1982 feature film based on the album—Cyrus is not just sharing new music but a whole visual album, each song accompanied by a music video shot by director Panos Cosmatos. We last heard from Cyrus in 2023 with her massive smash "Flowers," which found the industry veteran finding some kind of inner peace. With her new songs, Cyrus is turning from healing herself to healing the world. She described the project as "a concept album that’s an attempt to medicate somewhat of a sick culture through music." What does such an endeavor sound like? For one, a lot of surprising textures and collaborators: Shoegaze guitarists, jazz saxophonists, indie rock producers. At least, sounds that are surprising to those who only know Cyrus from "Flowers," "Wrecking Ball," and "Party in the USA." The true Miley stans expect the unexpected from an artist who, it turns out, has always been weird. Songs Discussed Miley Cyrus - Flowers, Prelude, Something Beautiful, End of the World, Dooo It!, Malibu, Cattitude (feat. RuPaul), Plastic Hearts Blank Banshee - Eco Zones Caroline Polachek, Oneohtrix Point Never - Long Road Home D'Angelo - Send It On Alice Coltrane, Pharoah Sanders - Journey In Satchidananda Whitney - Forever Turned Around ABBA - Mamma Mia, Dancing Queen Alvvays - Easy On Your Own? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 8 April 2025

Why was Chappell Roan's band dressed like an 80s hair metal act during her Grammy performance? The answer unlocks the surprising secret behind her #1 country hit "The Giver." This musical detective story connects glam rock aesthetics to modern country through an unexpected lineage involving AC/DC's producer, Shania Twain's revolution, and men who inadvertently dressed in drag. Between fiddle licks and gated reverb drums lies a brilliant subversion of country traditions that proves the genre has always been about musical drag while revealing what "rhinestone cowgirl" really means. MORE Subscribe to our newsletter to receive your own bingo card! Songs Discussed: Chappell Roan – "The Giver" Chappell Roan – "Pink Pony Club" Big & Rich – "Save a Horse (Ride a Cowboy)" Bon Jovi – "Living on a Prayer" Guns N' Roses – "Sweet Child of Mine" AC/DC – "Back in Black" Def Leppard – "Pour Some Sugar on Me" Nirvana – "About a Girl" Bryan Adams – "Everything I Do (I Do It for You)" Shania Twain – "Any Man of Mine" Shania Twain – "Man! I Feel Like a Woman!" Toby Keith feat. Willie Nelson – "Beer for My Horses" Carrie Underwood – "Before He Cheats" Trace Adkins – "Honky Tonk Badonkadonk" Glen Campbell – "Rhinestone Cowboy" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 1 April 2025

The Who's "My Generation" wasn't born from inspiration—it was commissioned. In a rare interview, Pete Townshend reveals how six fans at London's Goldhawk Club in 1965 directly asked him to write an anthem for their post-war generation. This conversation uncovers how a simple request transformed into rock's definitive youth statement, complete with its rebellious stutter and blues foundations. As Townshend releases his solo anthology during our own era of generational flux, the story behind rock's most famous declaration of youth proves more relevant than ever. Subscribe to our newsletter to receive your own bingo card! Songs Referenced "My Generation" by The Who "Can't Explain" by The Who "Anyway, Anyhow, Anywhere" by The Who "Smokestack Lightning" by Howlin' Wolf "For Your Love" by The Yardbirds "Pinball Wizard" by The Who "I'm a Boy" by The Who "Pictures of Lily" by The Who "I Can See for Miles" by The Who "Stuttering Blues" by John Lee Hooker Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 25 March 2025

In 2022, Lady Gaga embarked on The Chromatica Ball – a stadium tour featuring a stage that Gaga herself referred to as her "museum of brutality." Three years later, this idea of a brutalist enshrining of all things Monster can come to represent her new studio album MAYHEM.  Over the course of fourteen tracks, Gaga is "unafraid to reference or not reference," invoking not just the pop weirdos of a past era like Prince and Bowie, but also her contemporaries, in this gothic and chaotic web of a record. This episode of Switched On Pop, Little Monster-in-residence Reanna takes Charlie and Nate on a tour through the Gaga-seum, showcasing Gaga's ability to pay tribute to her inspirations, her imitators, and her biggest icon: herself.  MORE Subscribe to our newsletter to receive your own bingo card! SONGS DISCUSSED Lady Gaga, Ariana Grande – Rain On Me Lady Gaga – Disease Lady Gaga, Gesaffelstein – Killah David Bowie – Watch That Man David Bowie – Fame Queen – Killer Queen Prince – Kiss Prince – Sign O' The Times Talking Heads – Psycho Killer Nile Rodgers, CHIC, Lady Gaga – I Want Your Love Lady Gaga – Perfect Celebrity Lady Gaga – Paparazzi Lady Gaga – The Fame Lady Gaga – Applause Nine Inch Nails – Closer Depeche Mode – Mercy in You Lady Gaga – Vanish Into You Chappell Roan – Good Luck, Babe! The Weeknd – In Your Eyes Lady Gaga – How Bad Do U Want Me Taylor Swift – Style Taylor Swift – Gorgeous Yaz – Only You Lady Gaga – Zombieboy Gwen Stefani – Hollaback Girl Lady Gaga – Summerboy Lady Gaga – Beautiful, Dirty Rich Lady Gaga – Shadow Of A Man Lady Gaga – Nothing On But the Radio Lady Gaga – Garden of Eden Lady Gaga – Bad Romance Lady Gaga – Abracadabra Lady Gaga – Government Hooker Lady Gaga – Bloody Mary Lady Gaga – Swine Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 18 March 2025

When the song “Get Ur Freak On” hit radio in 2001, it set the world of popular music on fire. Missy Elliott and Timbaland’s first crossover hit sounded nothing like the chart-topping bluesy rock of Aerosmith or Lenny Kravitz, or the smooth R&B of Joe or Jagged Edge. It was a song that compelled you to dance - literally, with Missy issuing repeat commands to “get ur freak on” and encouraging crowds to gather ‘round in what we’ve only ever experienced as a hot slick mess of bodies, cheering and vibing as one pretzeling mass. But this song was years in the making. Timbaland and Missy had been hard at work on the sound for nearly a decade before “Get Ur Freak On” was heard by anyone. This week, in yet another segment of our Modern Classics miniseries, our guest host and former producer Megan Lubin shares the story of the sound that made “Get Ur Freak On” a pop music phenomenon, and transformed Timbaland into one of the most ubiquitous producers of the aughts.   Songs Discussed Missy Elliott - Get Ur Freak On Tweet - Oops (Oh My) Jay-Z - Dirt off Your Shoulder Justin Timberlake - What Goes Around... Comes Around 2Pac - Me Against The World TLC - Creep Ginuwine - Pony  Aaliyah - One in a Million Jay-Z ft. UGK - Big Pimpin’ Jay-Z - Hard Knock Life (Ghetto Anthem) Justin Timberlake - Cry Me a River Nelly Furtado - Promiscuous Justin Timberlake ft. T.I. - My Love Timbaland ft. One Republic - Apologize Sports Car - Tate McRae Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 11 March 2025

It may be hard to believe it in this technology-driven day and age, but one of the most pervasive sounds in popular music came about when a computer STOPPED working. In 2005, artist and innovator Imogen Heap released "Hide and Seek," a mysterious and emotional song featuring just her voice and a digital harmonizer. In this episode, Nate and Reanna dissect a song that launched a thousand memes and gave the world one of the defining sonic textures of our time. Songs Discussed Imogen Heap - Headlock Imogen Heap - Hide and Seek Electric Light Orchestra - Mr. Blue Sky Phil Collins - In The Air Tonight  Daft Punk - Around the World Imogen Heap - Getting Scared Frou Frou - Let Go Jason Derulo - Whatcha Say Bon Iver - Woods Coldplay - Hurts Like Heaven Kacey Musgraves gracias a la vida Frank Ocean - Close To You  Zedd, Maren Morris, Grey - The Middle Caroline Polachek - So Hot You're Hurting My Feelings Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 4 March 2025

In 2007, a 19-year-old Barbadian pop singer released the lead single off her third album. By doing so, she didn't just give us a timeless, undeniable banger -- she changed the way pop music is made, and became the global superstar that we know Rihanna to be today. In this episode we go back in time to unearth the origins of "Umbrella," and how the song blossomed as a result of many shifting currents in the music industry, the democratization recording technology, and the persistence of Rihanna and her team to record the song instead of the artist for whom it was intended. SONGS DISCUSSED James Brown "Funky Drummer" Funkadelic "Get Off Your Ass and Jam" Soft Cell "Tainted Love" N.W.A. "100 Miles and Runnin" Mya "Case of the Ex (Whatcha Gonna Do?)" Britney Spears featuring Madonna "Me Against the Music" Nine Inch Nails "The Hand That Feeds" Rihanna "Pon de Replay" Rihanna "S.O.S." Shakira "Hips Don't Lie" Rihanna "Umbrella" Justice "Stress" Usher "Love in This Club" Childish Gambino "Bonfire" A$AP Rocky featuring Skepta "Praise the Lord (Da Shine)" Asher Monroe "Synergy" Justin Bieber & Lil Dicky "Running Over" Sabrina Carpenter "Espresso" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 25 February 2025

In 2007, a 19-year-old Barbadian pop singer released the lead single off her third album. By doing so, she didn't just give us a timeless, undeniable banger -- she changed the way pop music is made, and became the global superstar that we know Rihanna to be today. In this episode we go back in time to unearth the origins of "Umbrella," and how the song blossomed as a result of many shifting currents in the music industry, the democratization recording technology, and the persistence of Rihanna and her team to record the song instead of the artist for whom it was intended. SONGS DISCUSSED James Brown "Funky Drummer" Funkadelic "Get Off Your Ass and Jam" Soft Cell "Tainted Love" N.W.A. "100 Miles and Runnin" Mya "Case of the Ex (Whatcha Gonna Do?)" Britney Spears featuring Madonna "Me Against the Music" Nine Inch Nails "The Hand That Feeds" Rihanna "Pon de Replay" Rihanna "S.O.S." Shakira "Hips Don't Lie" Rihanna "Umbrella" Justice "Stress" Usher "Love in This Club" Childish Gambino "Bonfire" A$AP Rocky featuring Skepta "Praise the Lord (Da Shine)" Asher Monroe "Synergy" Justin Bieber & Lil Dicky "Running Over" Sabrina Carpenter "Espresso" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 25 February 2025

Tate McRae's billions of streams and perfectly crafted hits can feel almost algorithmic, like an AI trained on 20 years of pop music. In anticipation of McRae’s third album So Close to What, out this Friday, we dissect McRae’s "SimplePop" formula, from her strategic, indescript vocal delivery to expert "vibe snatching" of Y2K sounds.  Through singles like "exes” and “sports car,” Charlie and Reanna trace her sonic lineage and discover why pop music needs artists who refine sounds as much as those who revolutionize them, seeing if there’s room to love her music in the process. This dancer-turned-singer might not be the next Britney Spears, but she could be this generation's Paula Abdul. More Watch Adam Neely's "Scotch Snaps in Hip Hop" Songs Discussed Tate McRae - "sports car" Tate McRae - "greedy" Tate McRae - "you broke me first" Tate McRae - "One Day" Tate McRae - "exes" Lisa - "Money" Halsey - "100 Letters" Cardi B - "I Like It" Beyoncé - "Drunk in Love" Ariana Grande - "7 Rings" Ariana Grande - "thank u, next" Tate McRae - "it's okay im okay"  Ying Yang Twins - "Wait (The Whisper Song)" The Lonely Island - "Bing Bong Brothers" The Pussycat Dolls - "Buttons" Missy Elliott - "Get Your Freak On" Missy Elliott feat. Ludacris - "Gossip Folks" Britney Spears - "Toxic" Britney Spears - "Gimme More" Cassie - "Me & U" Paula Abdul - "Straight Up" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 18 February 2025

In last month's episode predicting the coming year in pop, one of the team's predictions was that trance music – the ethereal, dreamy subgenre of electronic music popular around the turn of the century – would make a comeback on the charts in 2025. And even though we're less than two months into the year, we're already seeing the tides of nostalgia bring this club-oriented music come back into fashion. This episode of Switched On Pop, Nate, Charlie, and Reanna take a look at trance music: where it came from, what it sounds like, and if we can hear it in two of the year's most anticipated records: The Weeknd's Hurry Up Tomorrow and FKA Twigs's EUSEXUA. Does it trance? More Subscribe to our newsletter to receive your own bingo card! Songs Discussed KLF "What Time is Love? (Pure Trance Mix)" Sven Väth "L'Esperanza" Robert Miles "Children" Paul van Dyk "For an Angel" Ian Van Dahl "Castles in the Sky" Tiësto "Adagio for Strings" Darude "Sandstorm" Charlotte De Witte "Universal Consciousness" FKA twigs "Two Weeks" FKA twigs "Cellophane" FKA twigs "Tears in the Club" feat. The Weeknd FKA twigs "EUSEXUA" FKA twigs "Drums of Death" FKA twigs "Perfect Stranger" FKA twigs "Room of Fools" FKA twigs "Childlike Things" The Weeknd "Wake Me Up" feat. Justice The Weeknd "Open Hearts" The Weeknd "The Abyss" feat. Lana Del Rey The Weeknd "Timeless" feat. Playboi Carti The Weeknd "Give Me Mercy" The Weeknd "Red Terror" The Weeknd "Sao Paulo" feat. Anitta The Weeknd "Reflections" feat. Travis Scott & Florence + The Machine The Weeknd "Enjoy the Show" The Weeknd "I Can't Wait to Get There" The Weeknd "Hurry Up Tomorrow" The Weeknd "Blinding Lights" The Weeknd "Save Your Tears" The Weeknd "Until I Bleed Out" The Weeknd "Take My Breath" The Weeknd "Out of Time" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 11 February 2025

Behind Spotify's promise of infinite music lies a carefully engineered system that shapes not just what we hear, but how music itself gets made. Journalist Liz Pelly's explosive new book "Mood Machine" rips away the curtain on streaming's biggest player, revealing how its algorithms and backroom deals dictate the soundtrack to our lives. With major labels controlling 70% of streams and Spotify commanding over 600 million users, the stakes couldn't be higher. As artists like Björk decry streaming as "the worst thing that's happened to musicians," Pelly uncovers the true cost of our perfect playlists - and what we're really sacrificing for the illusion of endless choice. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 4 February 2025

2024 was an unpredictable year, and 2025 seems to be cut from the same cloth. So for this episode of Switched On Pop, Nate, Charlie, and Reanna look into the crystal ball of pop music to create a (playable) bingo card of predictions for the coming year – including AI songs on the Hot 100, a return of boy bands, and... kazoos? The Album of the Year race for this upcoming Grammys is similarly unpredictable, with a stacked nomination list including Grammy darlings Beyoncé and Billie as well as Gen-Z favorites like Charli and Chappell. The team takes a crack at guessing who will take home the award by debating the nominees, bracket-style. Subscribe to our newsletter to receive your own bingo card! Songs discussed: The Traveling Wilburys – Handle With Care Ghostwriter – Heart On My Sleeve (ft. AI Drake and AI The Weeknd) Songs from Silvio Berlusconi, Imelda Marcos, and Randi Zuckerberg Chino Pacas, Drake, Fuerza Regida – Modo Capone Elton John – Your Song Luis Fonsi, Daddy Yankee – Despacito Jack Black – Peaches Tyla – Water Rema, Selena Gomez – Calm Down Bloodhound Gang – The Bad Touch Megan thee Stallion, Yuki Chiba – Mamushi Joan Osborne – One of Us FKA Twigs – Eusexua Katy Perry – Woman's World David Bowie – Moonage Daydream Jimi Hendrix – Crosstown Traffic Jack Harlow – Lovin On Me Billie Eilish – CHIHIRO Billie Eilish – BIRDS OF A FEATHER Charli XCX – guess Charli XCX – 360 Charli XCX – i think about it all the time Charli XCX – 365 Beyoncé – TEXAS HOLD 'EM Beyoncé, Miley Cyrus – II MOST WANTED Beyoncé – YA YA Taylor Swift – I Can Do It With A Broken Heart Sabrina Carpenter – Espresso Chappell Roan – HOTTOGO Chappell Roan – Pink Pony Club Chappell Roan – Red Wine Supernova Outkast – Hey Ya! Andre 3000 – That Night In Hawaii When I Turned Into A Panther And Started Making These Low Register Purring Tones That I Couldn't Control ... Sh*t Was Wild Andre 3000 – I swear, I Really Wanted To Make A "Rap" Album But This Is Literally The Way The Wind Blew Me This Time Jacob Collier – 100,000 Voices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 28 January 2025

The first great release of 2025 is already here: Bad Bunny's newest album, DeBÍ TiRAR MáS FOToS. Over the course of its 17 tracks, the Puerto Rican reggaetonero crafts an intertextual, anti-colonial tome of a record, incorporating sounds from across his island and the boricua diaspora. From his use of salsa classics on "NUEVAYoL," to his pointed interpolations on "VOY A LLeVARTE PA PR," and his detour into folk melodies and songwriting on tracks like the somber "LO QUE LE PASÓ A HAWAii," the record features some of Bad Bunny's most creative, intense, and direct work yet. On this episode of Switched On Pop, producer Reanna Cruz takes Charlie and Nate on a journey through Bad Bunny's love letter to Puerto Rico, with additional insight from journalist and translator Carina del Valle Schorske. Read Carina's NPR Music review of the record: Bad Bunny's politics of presence. Songs Discussed: Bad Bunny, "DtMF" Bad Bunny, "NUEVAYoL" Bad Bunny, "BOKeTE" Bad Bunny, "EL CLúB" El Gran Combo De Puerto Rico, "Un verano en Nueva York" Bad Bunny, "PIToRRO DE COCO" Bad Bunny, "BAILE INoLVIDABLE" Rauw Alejandro, "Tú Con Él" Bad Bunny, "VOY A LLeVARTE PA PR" Wisin & Yandel, Héctor "El Father," "La Barría" Alexis y Fido, "Me Quiere Besar" Angel y Khriz, "Cazando Voy" Bad Bunny, "El Apagón" Bad Bunny, Kendo Kaponi, Arcángel, "P FKN R" Bad Bunny, "LO QUE LE PASÓ A HAWAii" Bad Bunny, "CAFé CON RON" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 21 January 2025

What happens when your podcast’s theme song—cobbled together from GarageBand loops—gets called “game show music” and likened to a cereal commercial? You rewrite it. In this episode, we take you behind the scenes of Switched on Pop’s sonic makeover, from scathing critiques by music industry heavyweights to the creation of a lush, layered soundscape inspired by Wendy Carlos and PBS science shows. With expert advice from sonic branding maestro Dallas Taylor (Twenty Thousand Hertz) and the composers Zach Tenorio and Jocie Adams (Arc Iris), we dissect every step of transforming our theme into a timeless sonic identity. Tune in for the full story and hear how we turned a jingle crisis into a musical triumph. More Musicares.org is supporting LA based musicians in need of assistance from the destruction of the fire Billboard has compiled more forms of support and assistance Songs Discussed The Monkees: "Theme Song (Hey, Hey, We're The Monkees)" Radiohead: "Kid A" No Name: "Yesterday" Mort Garson: "Ode to an African Violet" Wendy Carlos Switched On Bach Whitney Houston: "The Star-Spangled Banner" (1991 Super Bowl performance) Jimi Hendrix: "The Star-Spangled Banner" (Woodstock performance) Friends theme Song "I'll Be There for You" by The Rembrandts Reading Rainbow theme song “Butterfly in the Sky” by Steve Horelick, Dennis Neil Kleinman, and Janet Weir Bill Nye the Science Guy theme Song composed by Mike Greene  3-2-1 Contact theme Song composed by Tom Anthony Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 14 January 2025

Critics are not feeling the love tonight when it comes to Disney's latest sequels, Mufasa and Moana 2. They've called the animated films "lifeless and bland." But save some sympathy for the composers behind these blatant IP grabs. Lin Manuel Miranda and the duo Barlow and Bear had to match the original, iconic numbers from the Lion King and Moana, songs written by Elton John and Miranda himself. Are critics of the sequels' soundtracks being too harsh? We compare the new songs to their iconic predecessors, like "Circle of Life" and "How Far I'll Go," and ask whether Disney new composers face an impossible task in trying to extend franchises through song. Songs Discussed Elton John, Tim Rice, Lebo M. - “Circle of Life” Elton John, Tim Rice - “Circle of Life” (Radio Version) Elton John, Tim Rice - “Hakuna Matata” Lin-Manuel Miranda - “We Don’t Talk About Bruno” Lin-Manuel Miranda - “Melele” Lin-Manuel Miranda - “I Always Wanted a Brother” Lin-Manuel Miranda - “How Far I’ll Go” ft. Auli’i Cravalho Ariana Grande - “Imperfect For You” Barlow & Bear - “Beyond” feat. Auli’i Cravalho Barlow & Bear - “Can I Get a Chee Hoo” feat. Dwayne Johnson More Brett Boles’s wonderful analysis of “How Far I’ll Go,” referenced in the episode Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 7 January 2025

On this very special episode, we join forces with the hilarious podcast OFF BOOK. When our powers combine, Zach and Jess of Off Book, plus their killer backing band of Scott, Dana and Brett create an improvised musical, while Nate and Charlie break down the sound and structure of a Broadway show. Stay tuned for deep thoughts about what separates pop music from musicals, wild speculation about the origin of the word “vamp,” and an ENTIRE FREAKING MUSICAL COMPOSED FROM SCRATCH that will make you laugh your face off. This is not one to miss. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 31 December 2024

Popular music changes all the time, but there’s been one consistent element in practically everything released in the last two decades: Auto-Tune is everywhere. What started as a simple audio processing tool in the 1990s has become the dominant force in music. Artists are training to sing with Auto-Tune; songs sound like Auto-Tune. Like it or hate it, Auto-Tune is everywhere. And to be clear, most people like it. On this episode of The Vergecast music journalist and Switched on Pop co-host Charlie Harding tells us the story of Auto-Tune. (Disclosure: Switched on Pop is part of the Vox Media Podcast Network, as is The Vergecast.) It starts, of all places, in the oil and gas industry. It involves artists like Cher and T-Pain, spreads like wildfire throughout the music business, and quickly becomes so utterly ubiquitous that you probably notice when Auto-Tune isn’t used more than when it is. As we barrel toward whatever the “AI era” of music will be, we also look for clues in Auto-Tune’s story that point to what’s coming next. We talk about the distinct sound that comes from tools like Suno and Udio, how artists will use and abuse AI, and whether we should be worried about what it all means. We haven’t yet found the “Believe” of the AI music era, but it’s probably coming. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 24 December 2024

The first time you hear "Santa Claus is Coming to Town," it probably registers as just another cheery holiday standard. But hiding within this seemingly simple song is a remarkable story of American transformation - musical, technological, and social. Each time artists reimagine the song over its 90-year history, they leave an imprint not just of their own style, but of their entire cultural moment. Artists Discussed: Eddie Cantor Bing Crosby and the Andrews Sisters The Crystals Ella Fitzgerald Fred Astaire The Jackson Five Bruce Springsteen Justin Bieber Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 20 December 2024

The first time you hear "Santa Claus is Coming to Town," it probably registers as just another cheery holiday standard. But hiding within this seemingly simple song is a remarkable story of American transformation - musical, technological, and social. Each time artists reimagine the song over its 90-year history, they leave an imprint not just of their own style, but of their entire cultural moment. Artists Discussed: Eddie Cantor Bing Crosby and the Andrews Sisters The Crystals Ella Fitzgerald Fred Astaire The Jackson Five Bruce Springsteen Justin Bieber Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 20 December 2024

Three artists quietly reshaped pop music in 2024, though you might not know it from your Spotify Wrapped. As listeners question the accuracy of their year-end streaming stats, we explore the innovative sounds bubbling up just below the algorithmic radar. Tampa's "Swamp Princess" Doechii brings narrative depth back to hip-hop through her chameleonic vocal approach. Bedroom producer Mk.gee discovers entirely new possibilities for the electric guitar by deliberately recording "wrong." And BLACKPINK's ROSÉ challenges K-pop industry constraints while building bridges to Western pop on her revolutionary solo album. These artists point toward an exciting future where pop continues to evolve in unexpected ways, even as streaming platforms try to predict and package our musical tastes. Plus: Our producer Reanna Cruz presents evidence that their Spotify Wrapped might be fibbing, and Nate reveals his most-played track of 2024 was... Jeremy Irons singing "Be Prepared" from The Lion King? The algorithm works in mysterious ways. Songs Discussed Doechii: "Girls," "Yucky Blucky Fruitcake," "NISSAN ALTIMA," "Denial Is A River," "Boom Bap" Mk.gee: "I Know How You Got," "Big Mics," "Are You Looking Up," "Alesis" BLACKPINK"Boombayah," "Kill This Love," "How You Like That," "Pink Venom," ROSÉ: "On The Ground," "APT." (featuring Bruno Mars), "Toxic Till The End" Taylor Swift: "Shake It Off" Avril Lavigne: "Girlfriend" Toni Basil: "Mickey" Tom Petty: "American Girl" Bo Diddley: "Bo Diddley Beat" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 17 December 2024

It's an annual tradition: Every December, artists release their bids to join the hallowed halls of holiday music history. The gold standard remains Mariah Carey's "All I Want for Christmas Is You," which reportedly earns the pop star $2.5 million annually in royalties. This year's crop of seasonal offerings spans from ambitious originals to reimagined classics, with artists trying everything from AI-generated lyrics to funk renditions of Hanukah hymns. To evaluate this year's entries, we're introducing our definitive sleigh bell ranking system: five sleigh bells marks a future holiday classic destined to join Mariah in the pantheon, while one sleigh bell promises pop obscurity. Songs Discussed: •Kelly Clarkson - You For Christmas •Orville Peck - Happy Trails •Conan Gray - Holidays •Dan and Shay - Take Me Home for Christmas •Amy Grant - Tennessee Christmas •Kesha - Holiday Road •Ben Folds - Xmas Aye Eye •Jennifer Hudson - Santa for Someone Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 13 December 2024

In 2024, Kendrick Lamar pulled off what seemed impossible: winning hip-hop's biggest rap battle in recent history, securing the Super Bowl halftime show, and dropping GNX, a surprise album that might be the year's defining pop record. But this triumphant return wasn't guaranteed. Two decades into his career — well past the average life expectancy of a rap career — Kendrick faced a critical challenge: how to balance his legendary artistic complexity with mainstream accessibility. Songs discussed: Kendrick Lamar – squabble up Kendrick Lamar – luther (feat. SZA) Kendrick Lamar – tv off (feat. Lefty Gunplay) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 10 December 2024

The year's hottest movie is, against all odds, a musical. Wicked, starring Cynthia Erivo and Ariana Grande, just hit theaters, and tells the tale of how a green-skinned girl named Elphaba became the Wicked Witch of the West. And with any musical, the songs are just as important as the narrative. On this episode of Switched On Pop, Charlie, Nate, and Reanna hop on their broomsticks to break down the music powering this cultural phenomenon. Songs Discussed The Wizard And I - Cynthia Erivo, Michelle Yeoh The Wizard And I - Carole Shelley, Idina Menzel Popular - Ariana Grande Popular Song - MIKA, Ariana Grande Defying Gravity - Cynthia Erivo, Ariana Grande What Is This Feeling? - Ariana Grande, Cynthia Erivo Defying Gravity - Kristin Chenoweth, Idina Menzel You'll Be Back - Jonathan Groff, Original Broadway Cast of Hamilton Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 3 December 2024

TIME Magazine once said, “there are few figures more closely associated with religion in pop culture than Madonna.” And looking at her catalog, it’s hard to disagree. From cheeky double entendres on “Like A Prayer,” to explorations of alternative philosophies on Ray of Light, spiritual practice has always been a core aspect of Madonna’s work. And as she dips her toes in different ideologies, she eventually comes to mold her own special religion in the process. On our final episode of our week-long Listening 2 Madonna series, we take a look at the third essential part of Madonna’s holy trinity: spirituality. Songs discussed: Madonna – "Like A Prayer" Madonna – "American Life" Sister Cristina – "Like A Virgin" Ray Charles – "What I'd Say" Madonna – "Live to Tell" Madonna – "Oh Father" Madonna – "X-Static Process" Madonna – "Bedtime Story" Björk – "Hyperballad" Madonna – "Ray of Light" Madonna – "Nothing Really Matters" Madonna – "The Power of Good-bye" Madonna – "Sky Fits Heaven" Madonna – "Shanti / Ashtangi" Addison Rae – "Aquamarine" Madonna – "Vogue" Madonna – "Music" Madonna – "Isaac" Madonna – "Like It Or Not" Madonna – "Get Together" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcribed - Published: 29 November 2024