One, two, three, four.

One, two, three, four.

Ah!

Ah!

Yeah! Hello and welcome to another episode of I am the Eggpot, hosted by me, Chris Shaw.

You can find me on Twitter as

at Chris Shaw editor. The egg pods will take a jaunty stroll through Peppeland, discussing the Beatles

and solo Beatle albums with a potpoury of delicious guests. In this episode, I'm joined by

comedian, songwriter and presenter of matmen, politics Unboring, and Unfinished London.

He's currently on tour with his discussing songs for revolting kids show, Jay Foreman.

Hello, Chris.

Hello, Chris. How are you?

I'm delightful. How are you?

Oh, delightful. Wow, I can't live up to Wow. I'm, uh, I can't live up to

delightful. I'm, I'm merely fair to moderate. It's a lovely sunny day out there, which I think is

fitting for the album that we're going to discuss. It is pop sunshine out there, and we are going to be

talking about the epic masterpiece revolver. This is, I think, the sunniest album that they have, because two things.

First of all, apparently it was released at the height of summer 1966, which is when Britain was

at its most optimistic. In England, they just won the World Cup, and it was apparently an incredibly

hot summer. Yeah. And the second thing is, if you look at the back of the album, they're all wearing

sunglasses. They are. It was a surreal, it was Carnaby Street, jumpers with gold posts.

Everything apart from the album's front cover suggests it's bright, colorful and sunshiny.

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