Hello, are you doing? I'm Craig Parkinson. You are listening to the two-shot podcast.

Sit yourself down, pop the kettle on. We're going to have a nice old chat.

Who's in with this week? I'm going to tell you right now.

How the devil eye at first off apologies to apologies, actually.

One, I've just put a very delicate cycle of washing on in the apartment that I'm in in Brighton.

So if there's a background of low rotation, drums, whols, then I'm really sorry and also as you can hear.

The church bells have been going for about 45 minutes at the moment.

I would have been trying to record this in-tracer. We're just going to bear with all these slight annoyances.

Yeah, how are you? You could. Are you having sonic problems as I am? I hope not.

I'd be having no problems over and you're having a fantastic week.

My second apology, again, is to you. Sorry for no new episode last week.

For those that aren't on social media, I did make an apology.

I'm letting you know. I was just kind of up to my neck filming. I'm here in glorious Brighton by the seaside.

Currently doing a few weeks in a CID office with a lot of police speak and it's quite difficult.

But we're getting there and having fun. But it was I was just too hard to get a guess.

My God, these church bells. But we're back this week and I was lucky enough.

So a few weeks ago, my friend Alex, who works at Channel 4, asked me to watch a new one off TV film,

that Mark Munden has directed. Mark Munden is my guest, by the way.

With Jodie Coma, starring Jodie Coma and Stephen Graham's written by Jack Thorn.

And I watched it. I was broken and devastated and I watched it again.

And I saw beauty in the devastation. It's a hero in watch. But it's an important watch.

And then it got me thinking about Mark and about his past work, which looks Mark's one.

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