Richard Griffiths, he wasn't, he wasn't a posh man, but he sort of, by virtue of, um,

uh, becoming a sort of a fated British actor has become posh. In that way that people, um,

there are certain careers in the UK that enable you to transcend in, into the status of poshness

and being kind of like, um, you know, Shakespearean actor is definitely

one of them. Yeah, so I mean, what can I say? Let's just start from the beginning. So this film,

one of the opening shots of this film is the I, and with Nail and I, Marwood, reading tabloid headlines. And I think one of the opening

shots is one about like someone getting a sex change. And he starts sort of like doom and glooming about

like greasy spoon. Yeah. Yeah, about like, you know, look how society is falling apart and there's

rapes and murders all over the place and I can't even stand being in this place because I'm falling

apart. I can't handle it.

And what you learn is that they've been up for 60 hours on speed and they're on like an

ultra bender.

And it's effectively, they are, they are two actors who live in a shitty, disgusting

flat in Camden.

And one is, yes, Marwood, the sort of narrator, the I, and the other is Withnell, who

is, and so I'm going to be honest with him.

Withnil being played by Richard E. Garone.

Yes.

I, I presumed, or rather I, from the plot and from the things that take place, it became

obvious to me that Withydnall was the

posh one and Marwood is not. And I think it's because of the, like, but it wouldn't necessarily

have been apparent to me right off the bat, I think. Or rather, I would say that, like, my read

...