Three-dimensional transforming, musical, linguistic objects.

Hello.

Greetings from Cyberdelic Space.

This is Lorenzo and I'm your host here in the psychedelic salon.

Well, it's been a while since I've been here, but for now it seems like this long, and in some

places, very hot summer is finally over. So it's time for me to get back into a routine of

producing these podcasts more regularly. And thanks to

Frank Nuccio, who organized and recorded a fantastic lecture series for this year's

Blankay Norte talks at Burning Man, well, thanks to Frank, I'll be podcasting this year's program,

and hopefully at the rate of two per month.

And now for today's program.

This is Terrence McKenna Lecture and it was actually on three tapes from his June 1989 Scholar in Residence series at the Esselin Institute.

Now in July of 2012, I podcast most of the other talks that he gave during these sessions,

and you can find them in podcasts 367, 368, 369, 373, 377, and 378.

That's the whole workshop. Now, the talk that I'm about to play for you right now

was recorded on June 15, 1989, and it appears to be a wrap-up session for the entire series.

The tapes that this came from were simply labeled discussion, and when the tapes came to an end and had to be turned over or changed, well, there were some gaps that I've done my best to patch.

One of my favorite stories that he tells here is of his dream as a young boy of moving to New York City and becoming an avant-garde artist.

And I can actually see him in this role.

Now let's join Terrence McKenna and a few of his friends at Eslin

on a sleepy Thursday in June of 1989.

You'll have two copies of the invisible landscape in the Xerox form left,

...