From KCRW Santa Monica and KCRW.com, it's The Treatment.

It's the treatment.

It's the treatment in person with Noah Hawley, finally after two visits over many and very different Zoom lines.

He's here for, let me share, I got this right, the new edition of Fargo.

They aren't seasons.

They're year.

I think they also use the words installment or, yes, it's this preferential language control system is new to me as well.

This season, as well as many others, include so many elements have come to think with you.

The combat between faith and fate, as in so many corner brothers' things that you've probably been influenced by,

there is a Gallum figure.

Yes, very much.

I mean, you can take us back to almost the origins of the gallant figures. But it's also kind of a reset.

The text is almost back to sort of the same territory as the original Fargo film with an auto dealership and people fighting

for business supremacy. Talk about what the origins of this season for you.

It's a bit of a game of telephone this season. It's as if someone said to me, write a story

about a man who kidnaps his wife. He sends two guys to kidnap his wife.

And Joel and Ethan wrote a similar movie in which Bill Macy had his own wife kidnapped.

I wrote a story in which Juno Temple, who plays Dot, is kidnapped by her ex-husband,

or the husband that she ran away from played by John Hamm.

But we built a set that was much like the set from the movie,

and two guys in masks came together.

And it does that thing that I always like to play with in Fargo,

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