James Bond's Spycraft Sound
Switched on Pop
Vox Media Podcast Network
4.6 • 2.9K Ratings
🗓️ 19 October 2021
⏱️ 33 minutes
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Summary
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| 0:00.0 | Hey, exciting stuff! Switched on pop has been nominated for a signal award for best music podcast, |
| 0:07.1 | but we can only win if you vote. Find a link in our show notes or go to vote.signaloward.com |
| 0:13.9 | and please vote for Switched on pop in the music category. Your support means everything to us. |
| 0:31.0 | Welcome to Switched on pop. I'm songwriter Charlie Harding and I'm musicologist Sloan. |
| 0:35.7 | Nate Sloan. You've already ruined my bit, but what do you think of when I play this chord? |
| 0:45.7 | I think I've screened slowly being covered with blood as we witness the intro to a James Bond movie. |
| 0:52.9 | Yes, exactly. Recently, the final film in the Daniel Craig James Bond era was released. It's called |
| 1:00.5 | No Time to Die after a nearly two-year delay. It continues one of the most iconic musical themes in |
| 1:10.6 | pop culture. What I want to do today is understand where does this James Bond sound come from? |
| 1:18.0 | How does it inform the creation of the whole idea of the Bond song? You know, those songs |
| 1:24.5 | on the opening sequence. Oh, I know, Charles. Done by pop stars. You know what's up? Oh, yeah. And maybe |
| 1:30.3 | we can ask what does it all mean? I am so down. I had a cassette tape with the original James Bond theme |
| 1:36.8 | when I was in like middle school that I wore out. I love this soundtrack and I want to learn more |
| 1:42.9 | about it. Where do we start? Where are we going? Take me on this journey. |
| 1:57.1 | The original 1962 release of the James Bond theme from Dr. No, it is completely timeless. |
| 2:13.5 | Hmm. I totally agree. And yet, listening to it now, one thing that strikes me is just how |
| 2:19.2 | richly orchestrated this theme is. Oh, yeah, absolutely. The song is crafted with the lushness to |
| 2:27.3 | reflect the playboy aesthetic that James Bond is and was when he was first created in the 1950s as |
| 2:36.5 | a sort of male escapeous fantasy by Ian Fleming, the author and former British Naval Intelligence |
| 2:41.3 | Officer. He wrote it at his golden eye estate in Jamaica to distract himself from his pending |
| 2:49.6 | wedding to his pregnant fiance. And in so many ways, the music I think does perfectly reflect |
| 2:55.9 | the character. Are you saying this is the musical personification of toxic masculinity? Yeah, |
... |
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