Jamaica Kincaid on "the feminine arts," from reproduction to literary creation. Part 6 of the nine-part series "Women, Writing and the Imagination."
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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:07.2 | You are a human animal. |
0:11.5 | You are a very special breed. |
0:15.0 | Or you are the only animal. |
0:18.8 | Who can think, who can reason, who can read. |
0:23.0 | Hello and welcome to Bookworm. |
0:25.0 | This is Michael Silverblatt, and today I'm very happy to have with me in the studio again, Jamaica Kincaid. |
0:32.0 | Her most recent book is My Garden Book. |
0:35.1 | It's published by Faris Strauss and Cheru, and she is the author from |
0:39.0 | the beginning of at the bottom of the river, Annie John, A Small Place, Lucy, the autobiography |
0:45.5 | of my mother, my brother, and now my garden book. This show is part of Bookworm's ongoing |
0:52.3 | series, Women, Writing and the Imagination, |
0:55.3 | Conversations with Nine Prominent Women in the Arts |
0:58.2 | at the beginning of the 21st century. |
0:59.9 | But by talking about this, |
1:02.8 | it's more interesting to talk about that part of the self |
1:08.5 | that is, yes, defined as a woman, defined as a black woman, defined |
1:13.6 | as a black woman writer, but to speak about the things that are not covered by any of those definitions. |
1:22.6 | I think particularly about Coretta King, who spoke about being black and a woman all her life, and she felt |
1:30.3 | it was more difficult to be a woman. And I wondered, well, how do you tell? And how do you know |
1:37.3 | that the greatest difficulties of all are not being human? |
1:40.3 | Ha ha. I love that. |
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