4.5 • 606 Ratings
🗓️ 16 March 2000
⏱️ 29 minutes
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The life of Marilyn Monroe inspires Joyce Carol Oates, vast accomplishment in Blond and provides an opening for our conversation about a feminine icon. Part 8 of the nine-part series "Women, Writing and the Imagination."
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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:07.6 | You are a human animal. |
0:11.5 | You are a very special breed. |
0:15.5 | Or you are the only animal. |
0:18.9 | Who can think, who can reason, who can read. |
0:23.1 | Hello and welcome to Bookworm. |
0:25.3 | This is Michael Silverblatt. |
0:27.1 | This show is part of our ongoing series, |
0:29.3 | Women, Writing and the Imagination, |
0:31.6 | Conversations with nine prominent women in the Arts |
0:34.4 | at the beginning of the 21st century. |
0:36.8 | Today my guest is Joyce Carol Oates on the publication of Blonde, her newest novel, |
0:43.1 | and I think one of her most extraordinary, if not her most extraordinary, |
0:47.2 | published by Harper Collins. |
0:49.5 | It's a novel about the life of Marilyn Monroe, |
0:52.6 | and I wanted to begin by talking to you about the poetry of the novel. |
0:59.5 | This is very much another of your characters caught in the cosmos. And so her frame of reference includes Freud, Nietzsche. |
1:13.7 | There are descriptions throughout the novel of what the process of acting ontologically is. |
1:24.5 | There is even an invented, almost evil demiurge, who's written a book called The Paradox of |
1:35.1 | acting, which, if followed, would lead almost any actor to sure damnation or schizophrenia, |
1:42.1 | a loss of self. So I wanted to begin by establishing these larger |
1:47.3 | and spiritual contexts of bond. Well, I was certainly thinking about all those things and also |
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