4.5 • 606 Ratings
🗓️ 24 February 2000
⏱️ 28 minutes
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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:05.0 | You are a human animal. |
0:11.0 | You are a very special breed, |
0:15.0 | or you are the only animal, who can think, who can reason, who can read. |
0:21.6 | Hello and welcome to Bookworm. I'm Michael Silverblatt. |
0:26.6 | Today my guest is Joya Timpennelie. She's the author of two novellas of Sicily, called |
0:32.6 | Sometimes The Soul, which has been published in paperbacked by Vintage, |
0:43.2 | it's a beautiful book made particularly beautiful by the fact that you can tell, |
0:49.2 | even if you didn't know it, that Joia Timponelli is a professional storyteller. And so the books are full of all of the inviting gestures of tale-telling, the formulas to begin a story, |
0:59.7 | the way of thickening and complicating the plot and the ways of ending a story. |
1:05.0 | This interview is part of women writing in the imagination, our ongoing series of conversations |
1:10.6 | with nine prominent women |
1:12.2 | artists at the beginning of the 21st century. |
1:15.2 | And I thought I'd begin by asking you why it is that the storyteller, the crone, is often |
1:25.7 | a woman figure. |
1:27.2 | What is the relation between women and stories? |
1:31.1 | I think that women in general have been the keepers of the law, have been trying all their |
1:38.7 | life to deal with the complicated world that they have to live in for many, many reasons. |
1:44.7 | We all know the cultural, historical, social. |
1:47.6 | And they have not left the imaginative world or the world of what later becomes |
1:54.5 | literature. |
1:56.6 | And as Penelope Fitzgerald just recently said, she started writing novels because it was not a place where it was fair. |
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