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Our Hen House: Vegan & Animal Rights Movement | Stories from the Frontlines of Animal Liberation

How Theater Can Change the World for Animals with Grace Howarth and Anastasia Bunce

Our Hen House: Vegan & Animal Rights Movement | Stories from the Frontlines of Animal Liberation

Jasmin Singer and Mariann Sullivan

Documentary, Education, News, News Commentary, Society & Culture, Self-improvement

4.9579 Ratings

🗓️ 13 April 2024

⏱️ 77 minutes

🧾️ Download transcript

Summary

What does a night out at the theater (or theatre, in this case) have to do with activism? A whole lot if it’s up to Anastasia Bunce & Grace Howarth, who join us this week to discuss Patch Plays, the vegan troupe that is producing theater that pays attention to the lives, and deaths, of animals.  ABOUT OUR GUESTS Grace Joy…

Transcript

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0:00.0

Welcome to Our Hen House. This is Marianne Sullivan.

0:11.8

And this is Jasmine Singer. And this week we will be talking with Grace Howarth and Anastasia Buntz.

0:19.9

Amazing, amazing women.

0:21.4

You know, this is a different one.

0:23.0

And I love what they're doing.

0:24.6

They're in London.

0:25.4

And they have actually formed a vegan animal rights theater company.

0:29.6

And they're putting on plays.

0:31.8

This is right up your alley, isn't it?

0:33.5

I mean, I almost adopted them, except for the fact that they're adults and they have parents and don't need to be adopted.

0:41.5

Yeah, I don't know. I'm not sure how much that would add to their lives.

0:45.3

I know, but like literally, I love them. I want to send them, you know, Christmas cards.

0:51.9

And like, I just, again, like like I'm not sure that that's what they

0:56.0

I are obsessed with what these women are doing and how they're doing it and how they're

1:00.4

like it's like wait until you hear this one it's truly extraordinary I am beyond excited about

1:08.6

it. Yeah, they're not only doing it it it's not half-assed. Right. It's, you know,

1:13.5

it's cool and sophisticated and people actually watch it and it gets reviewed. I know. It's, and

1:19.3

you know, it's fascinating. We talk a little bit about this during the interview itself, but like,

1:24.4

a lot of the way that they go about doing what they do kind of came from the limitations of

1:32.3

the pandemic. Like you kind of had to get creative. And obviously, I remember that moment because

1:38.2

I was in this like not very good web TV show around the pandemic.

1:46.8

And, but, you know, you've got to hand it to them. Like, we were supposed to shoot it regular.

...

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