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Welcome in everyone to the Master Photography Roundtable, part of the Master Photography

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We're on the same journey to master their photography.

I'm Jeff Harmon, the host for this episode. I'm going to do another

how I got the shot episode. I recently posted some images that came out of a family portrait shoot that I did here in Utah, kind of at the almost

the peak of the fall color.

I think it was a little late for the peak, but almost the peak of fall color here in Utah.

And there were a lot of listeners who follow me

on my personal account that saw that post.

And they asked about the lighting,

if I would cover the lighting of how it did that

for those photos. And so I'm going to do that in this episode.

That's what we're going to cover. I need to start off with how I the equipment I use and a little bit about me in this episode for people who are newer so just so that they know so I love doing all types of photography everything from from landscapes to portraits, obviously to, if I could

do macro more I would.

I love nearly everything.

I don't love newborns.

I've done some newborns, I'm not good at it and I don't have what it takes to be good at it.

I don't like the environment you have to shoot in with newborns. You have to get it really hot. It's just not for me. So

shout out to everyone who does newborns and does a good job with it because it's not

easy. That is a tough, tough genre of photographer. Maybe the toughest, I think it might, at least to me.

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