Particularly in light of the homework, so-called, that we provided on Thursday, just encouraging

people to reread, reconsider these two suitas, Majamanikaia 29 and 107, with an eye to their

practice, how as we hope people are finding how the suit does, how suit the study can be

kind of brought into practice in ways that make the suit does come alive and also help

keep practice vibrant and alive. So, curious if there's any questions, reflections from the last

couple of days, feel free to put some things in the chat if you want or raise a hand, zoom hand

preferred, so we make sure we see it. But, you know, feel free to wave a hand or shake a leg

if you can't find a zoom hand. Susan.

Hi, good morning. You know, I noticed that one of you, I think him, probably all of you,

are referring to Bicobote's translation as well, and I'm wondering if that would be a good

strategy for us as well to find other translations and look at those in conjunction with the translation

that was provided. That's a really great question, Susan, and yeah, it can be very instructive and

also very inspiring to consider alternative translations of both words and whole texts, and we

particularly find ourselves drawn to the site called Suta Central, and maybe somebody could put a

link into that, if you're not aware of it, where you'll find for all of these discourses,

sometimes multiple translations in various languages. About Bicobote, I would say we, I think it's

safe to say the four of us probably go to Bicobote first. He has created a whole body of work of

translation with incredible care and sophistication and great technique, real artist translator.

Artist and scientist, very complete text with very wonderfully annotated and foot-noted

comments. In addition, Bicobote's sujato, who is sort of behind Suta Central, has wonderful

translations that sometimes have a more contemporary feel. I see Diana has unmuted. She's an

expert here. Let me see if she has something to add. Yeah, maybe I'll just add that I'll say if I'm

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