It's fine.

Meaning we have to start what we were just talking about.

Specials?

Yeah, we can just start talking about specials.

When Sam did his, the Commissential one, that Amy Schumer, producer, like, whatever, she, same, like, I don't know what's called Video Village. It was like a good name. You got all those screens, much like your masturbation story. Yes. And like, she was so good at being like, oh, camera here.

Like, Sam, make a face on this joke into the camera. Yeah. Like, it'll enhance the joke. Oh, okay. But she was doing so many things that I was, like, really impressed by. Yeah. What directors, like, where they're, like, actually, like, hold this longer. Yeah. Like, it's a lot of that. It's a lot of that. It's a lot of that. She lot of that she really which was like really and especially for somebody like sam who's like more stoic on stage yeah like those

little subtleties make like a world of difference sure where it's like oh yeah exactly like hold this

expression for just a second longer when you when you this joke, make a face to the right.

It'll just make the joke back, you know what I mean?

Who would you want to direct your special?

Michael Bay.

Steven Spielberg.

Michael Bay.

100%.

We're blowing cars up.

Just women are too hot coming on stage in the middle.

Oh, are you the audience or are you French models?

Why are they here?

Liar they here.

A Michael Bay movie might have been like my first introduction to sexism.

There was like a point where I was just like,

how come all these chemical engineers are Swedish models?

...