Uh, somebody needs to remix movies for airplanes. Do you know if they do that, do they do it

at all?

Well, they send out a bunch of stems when that, so you've got, you know, you're different.

You got the full mix, but you got your, your dialogue, music, effects, M&E, which is

music and effects. You got optional stems. It has like foreign language in case you

have to dub part of it or whatever. But they, I mean, how much I don't know that too many

people go back and remix things for specific things like that. They usually, how do they

not just eyeball it? Like I'm trying to wallatch.

Well, Lord of the Rings on the flight to Chicago because it's the only time I can get away

from my girlfriends need to hate on Lord of the Rings whenever I propose it or start watching

it. But it's like deafening, deafening, uh, roars for the fighting and then the rest of

it's whispering like this is not any way to watch a movie. I mean, it has to do with how

it folds down from whatever it was mixed in whether it was Atmos or 7, 1 or 5, 1. So like

all of a sudden, I noticed that a lot, this sound effects and the music are fucking just

hammering.

Oh, yeah. And the dialogue is always, is always down. Yeah. How do you not? Well, because

we're mixing this on. Well, just get a set of AirPods, but everything is to be mixed

on AirPods. They really only care about the 5, 1 mix. And then if you, if you do your,

if you do your encoders, right, then the stereo shit should still sound pretty good. It

should maintain most of the integrity of like a surround mix, but who's listening on

surround? It doesn't always. Well, nobody doesn't ride anyway. Yeah. So it's like, okay.

It doesn't have, fucking doesn't matter, but it sounds like they perfected it. Yeah.

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