Been the two of us need to look no more.

We both found what we were looking for.

With a friend to call my own, I'll never be alone, and you my friend will see, you got a friend in me.

Hello everyone, welcome to the Stephen King cast, One Man's Musings on the Works of Stephen King.

Each week I'll review one entry in the bibliography of Stephen King and the chronological order of publication.

And this week, I am continuing my revisitation of Stephen King's publication of short stories, his first publication of short stories, 1978's Night Shift.

I am sticking with the stories within Night Shift, even though I have finally, after three

years, finally concluded my review of all the stories within Night Shift.

I am now turning my attention to the movie adaptations of the short stories of Night Shift, I am now turning my attention to the movie adaptations of the short stories of

Night Shift, the ones that I haven't covered already, which brings us to today, Graveyard Shift.

I'm very excited to talk about Graveyard Shift, as this is a movie I have never seen before.

I will talk about my history with Graveyard Shift and what it means to me,

and then what my experience was watching it for the first time. But first, there is some

Stephen King fandom news that I want to get out of the way, The first of which, talking about adaptations based on the short stories found within the

Night Shift Collection, I am very excited to promote an upcoming film that is currently

in production.

It is the film based on the Night shift short story one for the road and i didn't

review it um in in last week's episode because i had covered one for the road in my original

review of night shift which i just re-released, not this previous episode, but the one before it.

So if you want to hear my thoughts on the short story, one for The Road, you can definitely check it out there.

But this is a movie that is ripe for adaptation because at its heart, it's a very simple horror story. It is one that is filled with

dread. It allows the filmmaker a lot of control over the tone and the characters

...