Greetings, dear listeners. This is Jonah Goldberg of the Remnant, which is brought to you

by the Dispatch Media, which you can find at the Dispatch.com, where you can sign up for all of our

wares. Today's episode is brought to you by Mrs. Fields Cookies, more about that in a little bit,

who doesn't like cookies. So you probably know if you looked in your feed that this is a

sort of a different kind of episode. I'm actually in what I would have once called behind

enemy lines, but no more. At Reason Magazine, I'm in their studio. It's amazing. It's like

Bar Mitzvah, Caligula's Palace out in the editorial suite. And I'm interviewing Nick Gillespie.

What is your title now? I am editor at large. I used to be in an editor at large. Yeah,

I would say it's a good place to be. Yeah, you have all the freedom to kibbits and complain and

point out better things, but no responsibility to see anything actually carried out. That is pretty

accurate. We used to talk about it in terms of, you know, there are staff that load diapers and

staff that change diapers in editor at large is loading diapers. Yeah, that's I like you. So

and we're going to sort of pick up where we left off, maybe not exactly where we left off,

because we were talking, what were we talking about? I think we had straight into conversations about

Star Wars and the Mandalorian and all of that kind of stuff. That's right. Are you still keep up

on sci-fi? Somewhat, I've become I really dislike I've always dislike Star Trek, other than the

original series. And I'm a big I'm not a Star Trek fan, I'm a William Shatner fan. So I

so there is someone who comes out that way. That's I see TJ Hooker as like everything is moving

up to and away from TJ Hooker. Does that include the Gremlin episode of Twilight Zone? Yes,

Peranto movie. He took it on the mid-60s. What about the spoken word rendition of Rocket Man?

Yeah, you know what I'll tell you this, that is great. And I remember seeing that live with my

brother. This would have been certainly in the late 70s. It was on a syndicated science fiction

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