Hello, everyone. So for a long time, I've been fascinated by the idea of podcasts, but I didn't

quite know how to do one, just because it takes a lot of time, and I'm pretty busy. But then one day

it dawned in me that I live in a city called Issaquah. It's about half an hour away from work.

So every morning, I have to drive to work. It takes about half an hour away from work. So every morning I have to drive to work.

It takes about half an hour.

And I'm like, oh, that's like the perfect amount of time for a podcast.

And I'm just driving to work anyway.

Why don't I use this time to do a podcast?

So anyway, I'm experimenting.

This is a brand new idea.

I've never done this before. But anyway, I'm going to call

this Drive to Work. That's my name of my podcast. And I thought each time what I would do is I would

examine a different set that I worked on and just talk about, I don't know, how it came together,

how the design happened, sort of behind the scenes. So I decided I will start with Tempest since that is the first set I did.

So I'm just playing this in my article a little bit, but let me talk about the setup of how

I ended up getting Tempest.

So, when I first got hired, Mike Davis was the head of R&D.

He and I had to talk.

And I said to him, I said, Mike, I think I'm a designer.

I don't think I'm a developer.

You know, I think that's where my skills lie.

And he said, well, we have Richard Garfield.

...