From KCRW Santa Monica and KCRW.com, it's The Treatment.

Welcome to the Treatment.

Again, the Home Edition.

I'm Elvis Mitchell, your host.

What to say about my guest?

Well, probably one of the best ways to describe her work is to quote the subject of her short,

While, Wild West, and his beautiful rant, Mark Prattford.

At one point, he says, taking humble stuff and demanding and have access.

And I think that pretty much describes her style as a director.

You may know her work from series such as, well, a Black Lady sketch show,

which she shuddered another glass ceiling.

My guest is director, Dime Davis, who directed all the episodes of this show and has done many other shows, too.

First of all, thank you so much for doing this.

Thank you so much. That was literally the best intro I've ever had in my life.

Again, we got to get you some more intro. We really have to do something about this.

But I was just thinking, in that short, the way Mark is talking, and what's so interesting to me about you as a director is you find a way to take the style of the material and blend it into what you're doing.

He's kind of a collageist on the grand scale.

And the visual style, both the editing and compositionally, you basically use collage as your kind of, you're almost

your, your, your, your, your metier in that, don't you? Definitely. I was so inspired, as I

try to be by any subject, right, but I was so inspired by Mark and his work specifically. And I

didn't know how else to really approach that. I let, I let his work in the way he works with his hands and the outcome of that really kind of like

inspire what the piece became.

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