Guys, I'm meeting junk and watching rubbish.

You better come out and stop me.

All right. This is Dick Miller.

If you're listening to Junk Food Cinema, who were these guys? Broken Arrow.

It's a class four strategic podcast emergency.

It's what we call it when we lose an episode of junk food cinema, brought to you by FilmSchoolRejects.com.

Dot com. Dot com. Dot, please don't shoo. episode of junk food cinema brought to you by film school rejects.com.com.com.

Dot, please don't shoot the nuclear weapons. This is, of course, the weekly

cult and exploitation film cast so good. It just has to be fattening. I'm your host,

Brian Sousbram, joined as per usual by my friend and co-host. He's a novelist. He's a screenwriter,

a lieutenant of megaphors,

a real woo guy, Mr. C. Robert Cargill. Hi.

How's it going, sir? It's going great. Man, I'm super excited for this because I've decided upon

a theme name slash hashtag for this group of movies that we've already actually covered one.

So I'm going to go back retroactively and add this tag.

We are celebrating Red, White, and Wu.

That is right.

We're celebrating the American films of John Wu to figure out, you know, what are their nuances?

What are the various comparisons that you can make between them?

What are the stylistic changes that he made leaving Hong Kong?

One of some of the things he brought with him.

I'm super excited to dive into that, but not as excited as one of our lieutenants of Megaforce.

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