4 • 1K Ratings
🗓️ 19 September 2022
⏱️ 3 minutes
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0:00.0 | Hey, I'm Brian Hyatt, host of the Rolling Stone Music Now podcast. |
0:04.4 | And right now I wanted to bring you a trailer for another podcast. |
0:08.0 | It's called Sonic Symbolism, and it's brought to you by Bjork. |
0:11.6 | The series is brimming with Bjork's music, including |
0:14.8 | unreleased alternate versions and demos. And it was produced by Christian Coons, who's best known for |
0:19.4 | the podcast Song Exploder. And it's brought to you by Melchimp Presents and Talkhouse. |
0:24.2 | Bjork is famously press shy and private, but this series features six hours of her talking |
0:29.3 | about her music in life. |
0:30.5 | Basically, it's Bjork telling the story of each of her albums in her own words. |
0:35.0 | Bjork played an extremely active role in the making of this series, including all the song choices and even down to the episode descriptions. |
0:42.0 | Much as with her album, she tinkered with the and even down to the episode descriptions. |
0:42.6 | Much as with her album, she tinkered with the series up until each episode's completion. |
0:47.4 | Sonic symbolism launches weekly on Thursdays, |
0:50.4 | and there's already five episodes available. |
0:53.0 | Subscribe now, wherever get your podcast. |
0:56.0 | Most of us go through faces in our lives that take roughly three years and it is not a |
1:06.4 | coincidence that this is often how long it takes to make an album, a book or a film. In the conversations on this podcast, me and my friends try to |
1:19.6 | capture which moods, timbers and temples were vibrating during each of my 10 albums. |
1:29.6 | When I get asked about the differences of the music on my records. I find it quickest to use visual shortcuts. |
1:39.0 | That's kind of why my album covers are almost like homemade tarot cards. The image on the front might seem just like a visual moment, |
1:48.8 | but for me it is simply describing the sound of it. I try to express this with a color palette, the |
1:57.8 | textures of the textiles, with what I'm holding and the ankle of the posture I'm in shows its relationship to the world. |
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