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Lanterne Rouge Cycling Podcast

Amstel Gold 2022

Lanterne Rouge Cycling Podcast

Lanterne Rouge Media, SL

Sports

4.91.3K Ratings

🗓️ 10 April 2022

⏱️ 44 minutes

🧾️ Download transcript

Summary

Transcript

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0:00.0

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0:05.2

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0:09.9

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0:16.2

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0:21.2

to play with People's Postcode Lottery, where good things come knocking. PPL managed lotteries

0:25.8

on behalf of good causes, 18-plus conditions apply, player responsibly not available in Northern Ireland.

0:32.2

Welcome back to the Lanction Roost Cycling Podcast, presented by Zwift, the online cycling

0:37.7

platform, which I actually used during the men's race set. Finished very early, Amstel Goldrace,

0:43.5

men and women's recaps all in the same podcast and podcast plays, separate YouTube videos.

0:52.0

There's a lot to talk about in dissect. There's some insane drama in the men's race as well,

0:57.6

which, frankly, is some Netflix-level scripting almost this drama. But men's race first,

1:04.7

it was back to the original parkour. It was a COVID-affected parkour last year where they just did

1:10.1

laps of, I think, cowberg, golemaburg, and belemaburg, they did like infinite laps of them,

1:19.7

and then same finished though on the berk and tablite, whatever it is. Anyway, this is the first

1:24.4

of the Ardennes race. It was a week early, I think, because of French elections and Paraguay

1:29.0

was moved. Anyway, Northern European politics is beyond my remit. In the men's race,

1:35.4

there was a few notable omissions. Because of the move date, we had no hour of sleep,

1:39.5

no rogletch, no mic words. So the bass country had a lot of good punctures. We had Benoit calls

1:46.1

Neufua, Pete Cockyu had an underwhelming public classics campaign, MVP, of course,

1:50.1

Dylan Turns, Kuhn, Madawaz, amongst others, no park, no rog, and yeah, that was it. It was

1:58.5

actually very controlled, Benji, the opposite to, like, an omeloupe classics race is very controlled.

2:06.8

Yes, certainly. We did have a good rider in the breakway. Edith Sculling was in the breakway

...

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