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🗓️ 6 June 2025
⏱️ 17 minutes
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0:00.0 | Welcome to part two of our conversation with Colin Dickey, author of the book, Ghostland, |
0:05.9 | in American History in Haunted Places. When you're out there and you're looking for these |
0:11.3 | locations, are there certain locations that seem to have more lore around them than others? |
0:22.1 | Of course. |
0:22.5 | I mean, you know, and one of, one of my initial questions for the book was, you know, |
0:26.2 | what, what makes a building sort of more or less likely to have these kind of stories? |
0:31.6 | So, you know, why our haunted house was always Victorian mansions and never, you know, |
0:37.0 | mid-century modern tract homes? Sure.ions and never, you know, mid-century modern |
0:38.0 | tracked homes. You know, why does every, when you picture a haunted asan asylum, why do you |
0:44.0 | picture a clock tower in the front of the building, you know, with a kind of wings spreading |
0:49.1 | out to either side, you know, like, and that, that's that kind of thing, you know, drew me to a lot of these, you know, the places that became chapters in books are sort of trying to answer these questions. |
0:59.6 | I mean, you know, I was looking, I think I was just casting a broad net for haunted downtowns because I was like, what does that mean to have a haunted downtown? |
1:09.0 | And, you know, one of the places that I came |
1:11.8 | upon was Richmond Virginia and I thought okay you know cool I don't know much about |
1:15.8 | Richmond let's find out why it's haunted and I you know started just reading all of |
1:20.7 | these stories about haunted Richmond and you know just something in the back of my |
1:24.1 | head triggered at some point and I thought you know this was the this was the |
1:27.4 | capital of the Confederacy this This was, you know, the second most heavily trafficked slave |
1:33.6 | trading market in the South. How come all of these ghost stories are about white people? You know, |
1:39.0 | and again, it was just sort of like, well, you know, why these stories and not other stories, you know? And so, so, |
1:45.3 | you know, in many ways, I think most of the chapters, the book started from a place of, you know, |
1:51.8 | why this building and not this other building. Why, why this place and not some other place? |
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