Ladies and gentlemen, can I please have your attention.

Can you digger?

Greetings, dear listeners, this is Jonah Goldberg, host of the Remnant podcast, brought

you by the dispatch and dispatch media.

Not that you can necessarily tell where you are, but I am in LA.

I'm here for the Turner Classic Movies Film Festival, which is pretty cool.

I'm plagued with massive guilt for being here because we got so much stuff going on at home with the move.

And, you know, it's one of those things you

agree to way in advance. And then you like, when you get close, you're like, this is not

great timing. And also, I agreed to be out here longer than probably necessary, certainly longer

than my wife thinks is necessary. But like I locked into this stuff. And, and look, it's good to see, it's really great to see my daughter, all the rest. But anyway, I feel really bad because my wife is at home toiling away with animals and moving stuff. I'm a bad person. So the opening night was last night. You know, I didn't really know what to expect from all this stuff. And I still don't.

I haven't, you know, I'm speaking, but it's not like a huge, it's not like I'm giving a lecture or

anything. It's a short conversation about a face in a crowd, which I highly recommend everybody

watch if you haven't. You know, I've been here for a very short while and I've already heard

from several people

about how Helia Kazan is problematic because of his, his naming names during the McCarthy stuff.

I'm not going to get into that here.

I mean, I'm not going to get in here, the TCM thing, but like, Healy Gazazon is not a villain in my book.

He's a hero and one of America's best directors.

I took my daughter for the opening night thing.

I walked the quote unquote red carpet.

I say quote unquote because technically it was a green carpet, but it was one of those

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