4.8 • 1.5K Ratings
🗓️ 19 January 2018
⏱️ 87 minutes
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0:00.0 | Hi, this is Steve. This week on the Cinephiles, we continue the month of Kane with |
0:04.8 | part two of our deep dive into the 1941 Orson Wells Classic. This is when things get dark |
0:11.3 | for Mr Charles Foster Kane, when the promise and idealism of youth gives way to obsession, humiliation, and in my opinion, an almost all-encompassing loneliness. |
0:23.0 | How can a man so talented and brilliant |
0:25.0 | with all the resources of one of the world's great fortunes |
0:28.0 | come to such an end? |
0:29.0 | And how can a first-time filmmaker |
0:31.0 | capture that descent with techniques so stunningly original and so perfectly |
0:35.8 | executed that the rest of the filmmaking world would spend decades catching up. |
0:41.0 | And how is it possible that this amazing film was almost destroyed before the public |
0:46.8 | could see a single frame? Well to find out you'll have to tune in this Friday |
0:51.5 | for Part 2 of Citizen Kane on the Cine files. |
0:55.2 | I see. It's you that this is being done to. It's not me at all. Not what it means to me. I can't do this to you? |
1:10.7 | Oh yes I can. I can. Hello and welcome once again to the |
1:20.0 | Hello and welcome once again to the cinnophiles where each week we enter the world of a great film |
1:23.8 | We explore its themes the history the filmmaking and the influence it has on us today my name is Steve Morris. I'm a filmmaker and directing instructor in Los Angeles California |
1:32.0 | Hello everyone. My name is John Roch, I'm a voice over actor, |
1:35.3 | host, producer, writer, and numerous other things here in Los Angeles, California. |
1:40.1 | And welcome to part two. |
1:42.8 | Yep, we're going to jump right into part two of Citizen Kane. |
1:46.7 | This is our first two-parter. |
1:48.5 | Yeah. And it is because this film is just too big and there is so much stuff to talk about in every scene. |
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