Hello, friends. How are you? Long time they'll speak. Welcome along to Soundtracking with me,

Edith Bowman, my absolute professional pride and joy where I have the best time having these

conversations and I very much hope that you enjoy listening to them. So today we've put up two episodes.

The first of those that we put up was with Edgar Wright.

And I explained what happened that the fact we've got this other episode that you're

about to listen to.

I'll just give you the very short version of it.

I was on my way to the Battersea Power Station Cinema to host a Q&A with the wonderful Chase Infinity

she plays Willa in one battle after another. And as I was

going up the escalator, I just checked my phone. And there

like a shiny beacon was an email from Mr. Johnny Greenwood, who said, sorry for not getting back to you.

Why is he apologising? He's in the middle of a radio head tour. Anyway, I had emailed him a couple of weeks ago and just said, well, I'd emailed him when the film came out and said how amazing it was and how brilliant his score was and said, if you want to come on, I'd love to have you back on. He said, I'd love to. I was like, well, you might be a bit busy because you've got your band drawn tour. And then I emailed him a couple of weeks ago, just checking in. And then I got this email going, sorry I've not been in touch, but do you have time at 10 o'clock tomorrow morning?

Yes.

Even if I didn't, I would.

You're Johnny Greenwood.

So if you've seen one battle after another, you will know that the score is so important to the film.

And it starts with score.

You're in it because of that.

There's so many textures and layers and wonderful motifs and themes throughout the entire score.

I think it's definitely one of my favourite

Johnny Greenwood scores and it feels like it's almost everything

that he's previously done

...