Hello, folks. How are you? You join me from Glasgow after I've just hosted the BAFTA

Scotland Awards. So it feels apt that I'm bringing you this brand new episode. First up,

huge congratulations to all the winners tonight, also all the nominees, an amazing night celebrating all the work behind

the camera and in front of the camera across filming TV in Scotland. And so it's a Frankenstein

special on our latest episode of soundtracking, which was filmed partly in Aberdeenshire, Glasgow and Edinburgh.

First up, Gell Del Toro, the director and then composer Alexandra Desplah, join us to discuss

their collaboration on the Netflix reimagining.

Stadner, Oscar Isaac, Jacob Ellardy, Mia Goth and Christoph Waltz, Frankenstein is a beautiful interpretation of the classic tale brought to life by Germel's characteristic, stylistic flair.

It is a film that has been something he's been desperate to make for so long, as you'll hear him talk about in our conversation.

There's something beautifully childlike about Guillermo and his enthusiasm for his craft.

And I really find that so inspiring, like it's infectious how much he loves what he does and

the joy that he gets out of what he does.

And you can hear that in his voice.

First up then, Guillermo, and we'll begin with the title cue by the man who follows him,

Alexander Desplac. The The Congratulations on this film.

Last time we spoke was at the wonderful Abbey Road.

I don't know if you remember, we celebrated Pinocchio with

Alexander. That was a great day. Wasn't it great? What a luxury to have that opportunity.

I think it is. That to me is like attending a Paganini concert. Right? His enthusiasm for his

craft is infectious as is yours. And it's very intimate.

Absolutely.

Correct me if I'm wrong, but both those stories, this one and Pinocchio, for you there's a thread.

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