Hi folks. How are you doing? It's Friday. Well, it'll be Friday when you're listening to this.

I hope you've had a good week. Hope you've managed to visit a cinema. There is so much around at the

minute as well. So I hope you've had a chance to pop in and spend a little time on your own or

with some friends or a loved one at front of a big screen

and immerse yourself in incredible storytelling. My mum and dad, I spoke to them last night

and they went along to a new little cinema that's reopened in St Andrews, my hometown,

well, near my hometown anyway. They went along to see the Bruce Springsteen film, Springsteen, delivered me

from nowhere. They loved it. So I had a really nice conversation with them about that last night.

I love that. I love when you or someone comes out at the cinema, they want to have a conversation

about it. So yeah, I hope you've been able to do that yourself. We have something for the weekend, this fine Friday for you on

soundtracking, as we have not one, but two very special episodes with two very special gentlemen,

both returning to soundtracking, I'm proud to say. First up, Edgar Wright, who is back for, I think,

the fourth time to discuss his take on Stephen King's novel, The Running Man. Then we are going

to drop a conversation with none other than Johnny Greenwood.

I know. Pinch me. I was actually on my way into a cinema, the Battersea Power Station

Cinema, to host a Q&A with Chase Infinity, who plays Willa in one battle after another.

And as I was going up the escalator, so check in my emails, never off.

And in my inbox popped an email of Johnny Gwayne, went, literally nearly fell off the escalator.

And he emailed me on Monday to say that he had a little window of time between radio head duties

to have a chat about his latest collaboration with Paul Thomas

Anderson on one battle after another. So I'm really excited to share that with you a little bit

later on. So that'll be coming in the next hour or so maybe. But now it is Edgar's time. Starring

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