Hello and welcome once again to The Sinophiles, where this week we are hopefully concluding

our exploration of Martin Scorsese, the Wolf of Wall Street.

My name is Steve Morris, I'm a filmmaker and directing instructor in Los Angeles, California.

Hello, one I'm John Rokka, writer, producer and host and voiceover guy in San Diego, California.

And I don't know if I'm ready for part three, but it's going to happen whether I'm ready or not.

So here we go, man, it's funny.

There's my feelings about this movie.

I will say you're not improving with this deep dive.

And what you mean is your feelings about it, do you mean like overalls quality or your

uncomfortability with the subject matter?

The latter, the second thing you said, because it's letting this movie sort of flow over you when you

watch it, it just is, it just is what it is.

But delving in deep to every single detail and analyzing it forces you to look at some stuff

for a long time that maybe you isn't so fun to look at.

I'll put it that way.

Yeah, yeah.

Yeah, I agree, 100% agree with what you're saying.

Yeah, not that I'm not enjoying our conversation.

I'm enjoying our conversation very much.

And, you know, I'm going to say it again, Martin Scorsese is a master filmmaker and watching

this is watching a master at work.

Yeah, but the things that he is mastering in this is like, you know, but this is, but again,

...