And it is my belief that they will any moment reject this, this mood, in favor of a period

of restrained grief and sober, private mourning.

That's the way we do things in this country, coherently, with dignity.

Hello and welcome once again to The Cinefiles where this week we continue our exploration of

Stephen Freer's The Queen.

My name is Steve Morris, I'm a filmmaker and director and instructor in Los Angeles,

California.

Hello, my name is John Rogam, a writer, producer and host here in San Diego, California.

And let's get it all.

Let's go back and visit the queen.

I'm thrilled to welcome back to our microphones, a senior writer at the National Review author

of the Conservatory in Manifesto and host of his self-named podcast, Charles CW Cook.

Welcome back to The Cinefiles.

Thanks for having me on again.

Well, we started with you, I would seem really awkward if you had disappeared.

I never knew.

You never knew.

I could have done something so egregious so you had no choice but to push me out the parachute

shoot.

Well, there's still time.

I'm sure you could work up for it if you really wanted to.

So where we left off, there had been a huge transition in which the royal family had

...