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The Guilty Feminist

213. Home with Kemah Bob and special guests Polly Neate and Jeanny Priebe

The Guilty Feminist

The Spontaneity Shop

Comedy

4.912.2K Ratings

🗓️ 3 August 2020

⏱️ 74 minutes

🧾️ Download transcript

Summary

The Guilty FeministPresented by Deborah Frances-White and Kemah Bob Episode 213: Homewith special guests Polly Neate and Jeanny Priebe and music from Grace Petrie and Ben Moss Recorded 28 July 2020 via Zoom. Released 3 August 2020. The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. This episode of The Guilty Feminist is brought to you by the satirical novel Fleishman is in Trouble by Taffy Brodesser-Akner, available now in paperback from Waterstones and all good bookshops. Please support us on Patreon so we can continue making this podcasthttps://www.patreon.com/guiltyfeminist More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book More about Kemah Bob https://twitter.com/kemahbob https://quibi.com/shows/hello-america-658 More about Polly and Shelter https://twitter.com/pollyn1 https://twitter.com/Shelter https://www.instagram.com/sheltercharity/?hl=en https://www.instagram.com/pollyatshelter/ shelter.org.uk More about Grace Petrie https://twitter.com/gracepetrie https://gracepetrie.com For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Come to a live recording! 8 August at the New Normal Festival. Tickets on sale now. 24 March at The Eventim Apollo in London. Tickets on sale now. Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

This episode is sponsored by Audible, where you can listen to the new Audible original podcast,

0:04.6

Mother, Neighbor, Russian Spy. In 2010, Richard and Cynthia Murphy were arrested in Monc

0:11.4

Len, New Jersey, along with eight other seemingly normal Americans. In fact, all of them had been

0:16.5

born in Russia and had been given new identities in America where they'd lived for years,

0:21.5

raising families working normal jobs, but always ready to spy for the motherland.

0:26.4

This amazing story, which was the basis for the award-winning television series The Americans,

0:31.2

is presented by Rosamond Pike, and tracks the lives of these two incredible women, Cynthia Murphy,

0:36.9

aka Lydia Guriev, and the young keen FBI agent who was tasked with following her.

0:43.0

This astonishing true story about real-life spies, all of which happened very recently,

0:48.3

is only available on Audible. Mother, Neighbor, Russian Spy, is an audible original podcast,

0:55.1

and it's available to listen to now on Audible. Subscription required.

0:59.8

See Audible.co.uk for terms.

1:03.2

I'm a feminist, but for my singing lesson this week, I chose the showtune. I know him so well.

1:10.2

An 1970 song from Chess the Musical, and the song is about a wife and mistress singing about the same man,

1:18.0

while he shags a third woman. No.

1:21.1

Isn't even allowed in the song. The way I can get through this song, because it's very beautiful

1:26.3

tune, and it's extending my range. I mean, there's all sorts of good reasons for it,

1:29.6

but the way that I can get through it is to make enough a sign that I make my singing teacher laugh,

1:35.9

because the lyrics are, it took time to understand the man. I know him so well. So even though we

1:41.5

can't be together, at least I understand him. And I'm just like, this guy is a narcissist. He just

1:46.9

can tell. It's like, how long does it take to understand him? 45 minutes I reckon. I'll not

1:51.4

on the absolute outside. He's a shagger. He's a massive shagger. My favourite line is, but in the end,

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