#128: Yetti Social Hierarchy
The Shallow End
John Elliott and Lindsay Schnebly
4.9 • 612 Ratings
🗓️ 6 November 2024
⏱️ 31 minutes
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Summary
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| 0:00.0 | It began long ago, two young boys in an American town riding their bikes to school and |
| 0:07.0 | Little League practice. Over the years, the boys became fast friends, united in their love |
| 0:13.5 | for stories where things would go horribly wrong. Pour yourself a strong beverage and buckle up. You're in the shallow end with |
| 0:23.5 | Schnebly and Toff. Episode 128 of the shallow end with Schnebly and Toth. You guys know, and by |
| 0:29.4 | guys, I mean, listeners, I should say you people know. We're not just for males. In fact, I think we have more female subscribers than males. |
| 0:39.8 | Oh, we absolutely do because most of the stories that we do are about guys doing stupid things. |
| 0:46.3 | Very rarely as a woman. |
| 0:48.2 | I was telling you earlier, J.G., that I had breakfast or lunch meal doesn't matter. |
| 0:53.8 | I met for a meal last week with our good |
| 0:56.5 | friend Townsend Coleman, who, you know, started in radio and then went into television and then |
| 1:04.0 | became a rock star. Which voice of the teenage mutant ninja turtles was he? I should know, |
| 1:10.4 | but I cannot remember. |
| 1:11.6 | Is it Donatello? |
| 1:12.6 | He goes to Comic-Conns and signs autographs. |
| 1:15.3 | He's in our industry a rock star. |
| 1:17.7 | He is a rock star. |
| 1:18.6 | But we were talking about the fact that anybody who's ever worked in radio still has the nightmare. |
| 1:25.7 | And the nightmare, if you've worked in radio, is that you're either at a station |
| 1:29.5 | that you don't know anything about, but you're on the air. You've got to play music. You've got to |
| 1:35.5 | play commercials. You've got to play promos. But for some reason, you can't find any of those things. |
| 1:41.4 | And so you've got dead air and you're starting to panic and you think, |
| 1:45.7 | where are the commercials? Where are the, where's the music? What, maybe if I go out to my car, |
... |
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