I'm not pulling on my driveway. We all know what that means. It's time for other drive to work at home edition.

So often when I'm at home, I like to do interviews. So today I have Andrew Brown, the co-set design lead of murders at Carlove Manor.

Hey, Andrew.

Hey, Mark. How's it going?

Norwell. Okay, so in this set, the way it worked was I co-led the vision design with Mark Gottlieb,

and then you co-led the set design of Mark Adlep, so Mark was kind of in the middle.

I sort of did the very beginning, Mark kind of did the middle, and you kind of did the end.

So we're going to pick up the story sort of when you first come to the set.

So when did you first come to the set?

When was your first part, you know, when did you join set design?

Right at the start, I took a lot of looks at the set during like vision design and then,

but I actually fully got onto it once kind of like

set design started and uh mark golly was the lead of the team that's when i first started

okay so what are your earliest memories of murders of carloid manner um the first thing i remember

is uh trying to figure out how to make collect evidence work a lot better.

I think when we, oh, first was collect evidence and then we talked a lot about what should be on

the morphs or, you know, what we were about with um face downs because for a long time we

we didn't want to do morph again because uh just especially in the new play booster world a

three minute two two is just a little bit too weak so we uh futzed around with like a lot of

different setups with like i think we tried three two at at one point. Yeah, we tried 3-2.

We tried 2-3.

Yeah, yeah.

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