4.9 • 8K Ratings
🗓️ 17 August 2015
⏱️ 38 minutes
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0:00.0 | Hello and welcome to Dear Hank and John. |
0:06.0 | Or is I prefer to think of it Dear John and Hank. |
0:08.6 | This is a podcast where I, Hank Green and John, my brother, will answer your questions, |
0:13.7 | give you some dubious advice, and bring you all the week's news from both Mars, the planet, |
0:18.8 | and AFC Wimbledon. |
0:20.3 | John, how you doing? |
0:21.3 | I'm doing well, how are you Hank? |
0:23.0 | I'm pretty good, I've had a bit of an annoying day, I'll be honest, we can talk about that |
0:27.2 | later, but first, can you have a short poem for us? |
0:30.4 | Sure, this is a poem to remind you that is annoying as your day might have been. |
0:34.8 | It's better than World War I was. |
0:36.7 | Today's poem comes from the Great World War I poet, A.E. Houseman, and here it is. |
0:42.9 | Here dead lie we because we did not choose to live and shame the land from which we sprung. |
0:49.6 | Life to be sure is nothing much to lose, but young men think it is, and we were young. |
0:57.2 | A.E. Houseman's poem on death and war, and also I think the centrality of the body. |
1:05.2 | This is something I've been thinking a lot about, Hank. |
1:06.8 | It was really in the First World War that poets in Europe started to grapple with the question |
1:15.0 | of the seriousness of destroying or endangering or acting violently upon a human body, because |
1:23.5 | for most of European history for the last thousand years, the destruction of the body |
1:29.6 | was secondary to the destruction or endangering of the soul. |
1:34.0 | The soul was going to survive in a way that the body wasn't. |
1:36.3 | It was really in World War I when poets began to grapple with that in a world where maybe |
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