I'm not pulling in my driveway. We all know what that means. It's time for their drive-to-work at home edition.

So today I have Taylor Inverson, who was the art director for March of the Machine, and we're going to talk all about the art direction of March of the Machine.

So hey, Taylor.

Hey, Mark, how's it going?

Okay, so let's talk a little bit about the scope of this set is huge.

How exactly do you approach a set that's everything we've ever done everywhere?

Yeah, no, the task was pretty daunting.

I think even at one point, somebody in the office was like, are we biting off more than we could chew on this one?

I don't know. I think we got it.

But it's been a really interesting process for this project, in particular for me, because this was one of the first sort of like big arc things that were sort of

presented to the studio just like super high level this is kind of generally where we want

to go and where we want this finale or we want this finale to happen of brexia invading the

entire multiverse.

I think that was in my first year at Wizards.

And at that point, I was like, oh, that sounds so cool.

Bananas.

Whoever gets to work on that is super lucky.

And then fast forward, it's like, you get a work on this.

It's like, oh my gosh, it was very exciting.

But also a pretty on this. It was like, oh my gosh, it was very exciting, but also also a pretty

tall order. So how we approached this set was really trying to narrow down what planes we wanted to

focus on and what planes we kind of wanted to have in the periphery during the card set.

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