So first of all thank you for taking the time while you're setting up to do this.

No, thank you. I really appreciate your patience. We've been trying to do this for several months now.

Yeah, we still want to actually get you on the podcast proper at some point.

So Storm is so good. Oh my God. Thank you. It's fantastic. It is the everything that Miles

I have been waiting for in an X book for decades and decades and decades.

I like hearing that.

It's been an amazing book to work on. You know, a huge

credit goes to Daniel Ketchum, who is the editor, who's dream made it possible.

He's probably literally the world's number one storm fan.

He just lost character so much.

And he got the tap to do a storm series and he called me up.

So I was very fortunate and lucky.

And Victor, the main main artist has been tremendous

yeah I mean everybody works in the book has just gone above and beyond

Ruth Redmond did the colors on those first two issues and just knocked out of the park.

I mean, I was, yeah, it's been really gratifying, so I appreciate the comments.

So there's, this is part of a sudden sort of surge of X-Men solo books,

which interact to varying extents with the team titles.

Having also written a team title, what's the difference from the dynamical composition

and the things that you go in considering when you're writing a solo book

for a character who's still connected to that large.

Right.

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