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It was a cottage industry once, but we've sort of expanded it and many people who think

it's a couple of guys in a shed. Yeah, that's the been the journey for Israeli in the last

few years is in with making feature films is how to industrialise the process, the way

Disney films are made. I'm Sean Fennessy, editor and chief of the

ringer and this is the Big Picture, a conversation show with some of the most exciting filmmakers

in the world. This podcast is a safe space for animation. Unlike some of my colleagues

here at the ringer, I adore animated movies, especially those made by today's guest,

the great British writer director Nick Park. Park, who is the creator of the beloved

Wallace and Gromit, is a master of the stop motion animation format, which requires

meticulous work with clay, patience and a whole lot of creativity. First trouble, he's

got four Academy Awards. Park has a new movie, an underdog sports comedy about cavemen

called Early Man, and he still has a gift for combining the suite with the absurd.

Nick and I talked about the extraordinary time it takes to make one of these movies

why he won't give up stop motion and the animation studios that intimidate him. Here's

Nick Park.

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