WHEN THE LEGEND BECOMES FACT, PRINT THE LEGEND: 8/8: The Iliad Hardcover by Homer (Author), Emily Wilson (Translator)
The John Batchelor Show
John Batchelor
4.5 • 2.8K Ratings
🗓️ 29 September 2024
⏱️ 7 minutes
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Summary
8/8: The Iliad Hardcover by Homer (Author), Emily Wilson (Translator)
https://www.amazon.com/Iliad-Homer/dp/1324001
When Emily Wilson’s translation of The Odyssey appeared in 2017―revealing the ancient poem in a contemporary idiom that was “fresh, unpretentious and lean” (Madeline Miller, Washington Post)―critics lauded it as “a revelation” (Susan Chira, New York Times) and “a cultural landmark” (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer’s other great epic―the most revered war poem of all time.
The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world―the fierce beauty of nature and the gods’ grand schemes beyond the ken of mortals. In Wilson’s hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem’s deep pathos and reveals palpably real, even “complicated,” characters―both human and divine.
The culmination of a decade of intense engagement with antiquity’s most surpassingly beautiful and emotionally complex poetry, Wilson’s Iliad now gives us a complete Homer for our generation.5 maps
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Transcript
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| 0:00.0 | I'm John Batsworth Professor Emily Wilson of the University of Pennsylvania. |
| 0:09.0 | Her new work is The Iliad by Homer 2,700 years ago, and today rendered in dynamic pentameter English. |
| 0:19.2 | It's a joy to speak of these matters, even though everybody knows the ending. The ending has some |
| 0:25.6 | surprises to me because Achilles having lost Patroclus insist upon a funeral pyre. |
| 0:33.0 | And there's violence in the funeral pyre. |
| 0:35.4 | The 12 young men, boys, that Kekhellis has taken captive. |
| 0:41.0 | He destroys on the funeral pyre, |
| 0:42.4 | along with dogs, everything. He throws in. is Achilles is accepting death on its own. |
| 0:53.6 | I can't tell, Professor, forgive me. |
| 0:56.2 | I started reading this psychologically |
| 0:58.0 | and I know I shouldn't do that, but it's too tempting. |
| 1:01.3 | What is Achilles coming to terms with when he goes from the funeral |
| 1:06.0 | pyre to the funeral games? I think he's coming to terms with the possibility that you can't be an ultimate winner. I mean there are always |
| 1:14.5 | going to be winners and losers and that in fact in some way all mortals are losers |
| 1:18.8 | even somebody who's the son of a goddess as he is himself he still lost terrible things he's lost |
| 1:25.6 | both honor to Agamemnon which I think by this point in the poem starts to seem |
| 1:30.5 | relatively trivial but he's also lost the dearest person he ever had, the person who was his family, his's lost him and yet he also then has to somehow go on. |
| 1:47.6 | And I think there's a sort of gradual process towards figuring out how can he go on after those terrible losses and one stage in that as you say is both the funeral so rituals of shared lamentation shared expressions of grief or a kind of solution to can you must you grieve forever. |
| 2:05.6 | You can if you can grieve together maybe it doesn't have to last forever and then |
| 2:09.8 | also the sports which throughout the early had we've seen how the competitiveness of men who all |
| 2:16.9 | want to be the best and what happens if one one man wins and one man loses earlier in the |
| 2:21.9 | poem that's always been the answer to that is death. |
... |
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