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Please do not suffer in silence.

And you know, interestingly, in terms of like a filmmaker's journey, the thing that's,

I think the most interesting for us is that when we went down to make the first film, we

weren't on some mission to write a great wrong.

We were storytellers who were told a story by H.

Not told, sent a story by Shield and Evans at HBO about these, you know, it was a local news clipping

that had been picked up by the New York Times.

And the way the press was spinning the story was that these guys were definitely guilty.

And so we were going down, we thought, to make like a real life River's Edge, you know,

a team of a film about, you know, disaffected youth, about how rotten three kids could be to kill three eight-year-olds.

And so, you know, we went down thinking we were going to, you know, do a study of, you know, this kind of horrible crime.

And once we got into it, you know, like one plus one was not equaling to.

The evidence was, you know, like one plus one was not equaling two. The evidence was, you know,

the local chief of police, you know, sent on a scale of one to ten, the cases in 11 to us, it

was like a negative one. I mean, the evidence was flimsy and circumstantial. And then when

we finally met and interviewed the West Memphis Three, we looked at each other and said,

you know, this is not a film about devil worshipers.

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