We're Still Here with Simon and Julie
The John Fugelsang Podcast
Crossover Media Group
4.8 • 1.5K Ratings
🗓️ 20 September 2025
⏱️ 42 minutes
🧾️ Download transcript
Summary
Julie and Simon join John for a wide-ranging conversation: reflecting on Robert Redford’s cinematic legacy and his longtime allyship with Indigenous communities, unpacking the myth of ‘reverse racism,’ and celebrating California’s new bill aimed at keeping Native children with their families. They also take spirited listener calls, and share excitement over Indigenous Fashion Week (the first of its kind) earning a glowing Vogue feature as the standout showcase of the entire week! Migwetch (thank you) for listening!
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Transcript
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| 0:00.0 | I am so pleased, and I am so ready to welcome Simon and Julie back to the show because |
| 0:11.5 | it has been a week, and I know I say that every time it gets to be Thursday night. Simon Moia |
| 0:16.3 | Smith is an Oglala Lakota and Chicano journalist. He is a contributing writer at NBC News and |
| 0:20.3 | The Nation.com. Simon's also the author of the forthcoming book, Your Spirit Animal is a jackass, and he's an Oglala Lakota and Chicano journalist. He is a contributing writer at NBC News and The Nation.com. |
| 0:21.2 | Simon's also the author of the forthcoming book, Your Spirit Animal is a jackass, and he's an adjunct professor of indigenous studies at the University of Colorado, Denver. Simon, welcome back. Love to be here, man. It's nice to have you. Good to see you. Julie Franchella is a mental health professional with over 30 years of experience and handling complex trauma with indigenous youth and families, |
| 0:39.4 | Julie's, an enrolled member of the Ajibway, a Batchewana First Nation Reserve. She teaches indigenous studies at Durham College focusing on the impacts of colonization and media culture on First Nations people. Julie, it's so great to have you back. Thank you so much for having us. |
| 0:56.2 | Thank you for being had. And I just want to say one of the highlights of a very sad week was reading |
| 1:02.1 | your beautiful piece about Robert Redford, Julie, on Substack. I've really been looking forward to |
| 1:07.0 | talking about his legacy of storytelling and activism. And at a time when there are so few |
| 1:13.8 | artists willing to put their names on the line for any cause, Redford was pretty consistent |
| 1:20.1 | for indigenous peoples. And I mean, I'm even including the Malago Beanfield War, the kind of |
| 1:24.8 | films he produced, the kind of organizations he lent |
| 1:28.1 | his name to, and giving us movies like Thunder Art and Incident at Oglala, one of the best |
| 1:34.3 | documentaries ever made. In your piece, you call him a lifelong ally to indigenous people, |
| 1:38.8 | and I want to ask you both, just a little bit about Redford. And Julie, what do you think it was |
| 1:43.6 | that motivated this man to |
| 1:44.9 | stick with indigenous storytelling for decades, even when Hollywood executives told him the biggest |
| 1:50.6 | star in the world, no one would watch? You know, for me, when I think about Robert Redford, |
| 1:58.6 | the word that comes to mind is integrity. You know, I think he had a relationship with the land. |
| 2:04.6 | I think he was connected to the land in a way that, you know, a lot of non-Indigenous people, you don't see that very often. |
| 2:12.6 | And so I think he recognized that in the indigenous people. |
| 2:16.6 | That's just my opinion, but I think that he really |
... |
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