Was D4VD’s Entire Life a Performance? What His Own Words Reveal
True Crime Today | Daily True Crime News & Interviews
Tony Brueski
4.2 • 612 Ratings
🗓️ 28 May 2026
⏱️ 26 minutes
🧾️ Download transcript
Summary
Before the arrest. Before the charges. Before Celeste Rivas Hernandez’s name entered the conversation. D4VD sat in front of cameras and told the world exactly who he was — and everybody heard a success story.
He said he lived “vicariously through other people.” He said he’d never experienced the feelings in his own music. He said he invented emotional scenarios and performed them so convincingly that millions believed they were real. He grew up homeschooled, recorded in a closet, and went from total isolation to billion-stream fame without ever learning how to navigate human connection outside of a screen. Those aren’t accusations. Those are things David Anthony Burke told interviewers voluntarily, in his own voice, before anyone was investigating anything.
This episode uses Burke’s own publicly available words — alongside the prosecution’s People’s Brief — to trace the psychology that allegedly enabled what prosecutors describe: a year-long alleged double life, an alleged infrastructure of secrecy, and an alleged forty-eight-hour window after Celeste was allegedly killed during which Burke reportedly sat for a podcast interview, released an album, and attended a party. We examine the welfare check where law enforcement told Burke that Celeste was thirteen, the yearbook photo he allegedly had on his phone when they said it, and what prosecutors say he did next — allegedly paying a classmate a thousand dollars to smuggle a secret phone to her after her parents took hers away.
His biggest song is “Romantic Homicide.” His album is Withered. His music video shows a body going into a trunk. According to prosecutors, the art was allegedly running parallel to reality the entire time.
Burke has pleaded not guilty to all charges and maintains his innocence.
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Transcript
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| 0:00.0 | This is Hidden Killers with Tony Brewski. |
| 0:03.3 | Here now, Tony Brewski. |
| 0:07.0 | David Anthony Burke, D4VD, built a career on a skill. |
| 0:12.6 | Most people don't think of as a skill. |
| 0:14.3 | He could make you believe he'd lived something he hadn't. |
| 0:21.2 | Over a billion streams, Coachella, a tour with Siza. |
| 0:25.7 | The whole time Burke was telling interviewers on the record in his own words |
| 0:31.0 | that most of what he wrote about had never actually happened to him. |
| 0:35.8 | He told days he created fake scenarios in his head and turned them into songs. |
| 0:41.3 | He told N.E. His earlier music was him living vicariously through so many different people. |
| 0:49.3 | He told People magazine he used to base his personality off the next game he played. |
| 0:57.1 | His breakthrough song, Romantic Homicide, wasn't about a real relationship. |
| 1:01.9 | It was invented, performed, and millions of people believed it was real because the performance was that convincing. |
| 1:10.7 | I mean, a lot of music does that. |
| 1:13.4 | Artists do that. |
| 1:14.6 | I'm not saying it's anything that's strange. |
| 1:17.4 | It certainly happens. |
| 1:19.1 | It's just when we get into the context of where David is sitting today |
| 1:23.2 | and the charge is against him and the content of said songs, |
| 1:26.9 | it makes it feel a little bit different. |
| 1:29.7 | As we go through this, your thoughts in the comment section on Substack and YouTube, |
| 1:33.5 | because we're going to try and dig here into who David is and who he isn't. |
... |
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