Venezuela, Renee Good and Trump’s ‘Assault on Hope’
The Ezra Klein Show
New York Times Opinion
4.3 • 14.5K Ratings
🗓️ 10 January 2026
⏱️ 66 minutes
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| 0:00.0 | The |
| 0:07.0 | The In the early 20th century, there was this anarchist idea about the propaganda of the deed. The propaganda of the deed |
| 0:39.5 | was that there were these forms of direct action, and many of them violent, assassinations, |
| 0:45.3 | bombings, that when you did them, they were so spectacular. Everybody would hear about them. |
| 0:51.6 | And when everybody heard about them, there would be copycats |
| 0:55.7 | by making the impossible possible, |
| 1:00.1 | by making clear that society did not work |
| 1:02.9 | how you thought it worked, |
| 1:04.4 | that the state did not have the power you thought it had. |
| 1:07.4 | They could rupture society itself |
| 1:09.9 | and create the possibility of a moment of revolutionary upheaval. |
| 1:15.7 | I think there is a way in which you should and can understand the Trump administration as operating often through propaganda of the deed. |
| 1:26.1 | Now, they're not an anarchist collective. |
| 1:29.5 | They're a state, their regime. |
| 1:32.7 | But they operate not so often through the dull work of rules and laws and legislation and deliberation, |
| 1:43.9 | but through spectacle and through the meaning |
| 1:48.0 | of particular spectacles. Venezuela was a spectacle. They do not seem to have planned for the |
| 1:55.2 | aftermath. They were decapitating the Maduro regime, but they left the regime otherwise, |
| 2:00.1 | completely in place. |
| 2:01.8 | Nobody seems to know even into the administration what it means for America to be running Venezuela, |
| 2:06.8 | but it was an example, an act that showed something. And even before the capture of Maduro, |
| 2:14.4 | they had chosen not to fight the drug war, the fentanyl scourge, |
... |
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